PROTECTION, PROVOCATION AND A POINTY PROBLEM SPICE UP A CATEGORY OF DIVERSE MOODS.
Australian brand NRMA’s decision to pay out insurance money to families whose homes needed protection against disaster feels chillingly prescient in the face of the recent fires there. Quite a contrast with previous years, as the insurance sector usually produces quite amusing fare – various hapless folk in exaggerated situations. Luckily, a duo of Thai ads, “Friendshit” and “Face/off” are here to lighten the tone with the country’s characteristic zany humour. No particular brand dominates the category, but Asia-Pacific punches well about its weight, filling seven of the top ten slots. Left to fly the flag for Europe is the Erste Group and its adorable hedgehog, who finally gets a hug for Christmas thanks to some strategic use of cotton wool.
Australian brand NRMA’s decision to pay out insurance money to families whose homes needed protection against disaster feels chillingly prescient in the face of the recent fires there. Quite a contrast with previous years, as the insurance sector usually produces quite amusing fare – various hapless folk in exaggerated situations. Luckily, a duo of Thai ads, “Friendshit” and “Face/off” are here to lighten the tone with the country’s characteristic zany humour. No particular brand dominates the category, but Asia-Pacific punches well about its weight, filling seven of the top ten slots. Left to fly the flag for Europe is the Erste Group and its adorable hedgehog, who finally gets a hug for Christmas thanks to some strategic use of cotton wool.
Most awarded
campaigns, brands &
agencies in
Finance in
2019
Most awarded
campaigns, brands and
agencies in
Finance in
2019
CAMPAIGNS
BRANDS
Brand | ||
---|---|---|
1 | Kasikornbank | |
2 | NRMA | |
3 | AIG | |
4 | Samsung Fire & Insurance | |
5 | United Commercial Bank |
AGENCIES
Name | ||
---|---|---|
1 | Grey (Thailand) Ltd., Bangkok | |
2 | CHEP Network, South Yarra VIC | |
3 | TBWA\HAKUHODO, Tokyo | |
4 | Cheil Worldwide, Seoul | |
5 | Grey Advertising Dhaka |
Watch
1. NRMA / Safety Hub
标题 | Safety Hub |
广告公司 | CHEP Network |
广告战役 | Safety Hub |
广告主 | NRMA |
品牌 | NRMA |
首次发布日期 | 2019 / 3 |
行业领域 | 保险 |
媒体类别 | 互动 |
长度 |
2. AIG Japan / Pride jersey
标题 | Pride jersey |
广告公司 | TBWA\HAKUHODO |
广告战役 | #DiversityIsStrength |
广告主 | AIG Japan |
品牌 | AIG Japan |
首次发布日期 | 2018 / 4 |
行业领域 | 银行、金融、法律和保险 |
剧情简介 | Synopsis AIG is committed to creating a corporate culture that is welcoming and open to the LGBTQ community, while also offering insurance products and services to meet the needs of the community. However, cultural norms in Japan still make it difficult to “come out” in the workplace, with only 4% of LGBTQ people being “out” at work. With diversity still a far cry away, the brief given to us from AIG was to help promote diversity & inclusion both within the Japan office, but also within Japanese society as a whole. We partnered with the AIG sponsored ALL BLACKS to leverage their universal appeal and we developed a technically (and thematically) sophisticated jersey for them. 700 jerseys out of the first batch of this new product are already in circulation. Outcome Just before the launch of this new jersey, anti-LGBTQ comment made by the rugby player, who plays for Australia, became a social issue in the APAC area. The PRIDE JERSEY was a powerful response to this and won supports from many people. The news instantly sparked all around the world. The jersey was featured in 272 media across 19 countries including UK, South Africa, Ireland and New Zealand, the home of the All Blacks. The voice of supporting diversity and inclusion spread not only in Japan but also across the globe, winning over 53,764 supports in just 7 days. This innovative jersey is planned to be worn by the All Blacks during 2019 Rugby World Cup which will take place in Japan. Execution We printed the colors of the rainbow on a stretchable and highly elastic ribbed fabric. We printed the colors from both sides, effectively “dyeing” the material in rainbow hues. Black was then printed over, on both sides, on the top portions of each tiny ridge only. As a result, the material is solid black, but when stretched, reveals the colors of the rainbow below. This is a wholly new, and original product. Campaign Description We focused on the phenomena that when all the colors of the rainbow are mixed, it creates black. This is a deeply rich symbolism for how differing individualities can converge to create one strong whole. It is symbolic of the ALL BLACKS themselves, and how their diversity has continually maintained them as the strongest rugby team in the world. We developed a fabric that is black on the surface, but when stretched, reveals all the colors of the rainbow underneath. With this fabric, we created an brand new ALL BLACKS jersey. The jersey is a mellifluous embodiment of the ALL BLACKS visual identity, together with the highly resonant message of diversity. Leveraging this jersey, we campaigned in Japan to build a team of diversity supporters from celebrities/notable persons/the public. |
媒体类别 | Web Film |
长度 | |
制作公司 | AOI Pro. Inc. |
创意总监 | Shuhei Tsuji |
文案 | Peter Souter |
文案 | Tomoko Kasugai |
美术指导 | Yosuke Sugioka |
客户企划 | Kei Tominaga |
客户企划 | Hideyuki Kobayashi |
首席创意官 | Kazoo Sato |
设计师 | Kana Takarada |
客户总监 | Kei Kaneko |
客户总监 | Head of Digital Design |
美术指导 | Keisuke Shimizu |
客户主管 | Kasumi Shimada |
客户主管 | Keisuke Egamim |
客户主管 | Mami Konisho |
战略企划 | Yoku Ishida |
创意总监 | Takahiro Hosoda |
战略企划总监 | Keita Kawakatsu |
战略企划总监 | Chigusa Ogasawara |
导演 | Hisashi et |
摄影指导 | Justin Brown |
制作公司制片 | Keisuke Mizusako |
制作公司制片 | Masahiro Kawaguchi |
制作公司制片 | Jun Yoshikawa |
制作公司制片 | Riki Sakai |
制作经理 | Taisuke Konaka |
制作经理 | Koichiro Narita |
制作经理 | Wataru Ode |
制作经理 | Takehiro Yamada |
制作经理 | Maki Komiya |
Chief Creative Officer | Kazoo Sato |
Senior Creative Director | Takahiro Hosoda |
Creative Director | Shuhei Tsuji |
Senior Art Director | Keisuke Shimizu |
Art Director | Yosuke Sugioka |
Designer | Kana Takarada |
Copywriter | Peter Souter |
Copywriter | Tomoko Kasugai |
Activation Planner | Kei Tominaga |
PR Planner | Hideyuki Kobayashi |
Film Director(Making Movie) | Shinri Abe |
Executive Planning Director | Masa Okazaki |
Strategic Planning Director | Keita Kawakatsu |
Strategic Planning Supervisor | Chigusa Ogasawara |
Strategic Planner | Yoku Ishida |
Senior Account Director | Kei Kaneko |
Account Director | Tatsuya Horikoshi |
Account Supervisor | Kasumi Shimada |
Account Supervisor | Keisuke Egami |
Account Supervisor | Mami Konisho |
Costume Designer and Producer | Toshihiko Sakurai |
Costume Director | Chika Sai |
Producer | Keisuke Mizusako |
Producer | Masahiro Kawaguchi |
Director | Hisashi Eto |
DOP | Justin Brown |
Producer | Wataru Ito |
Photographer | DYSK |
Designer | Kazuya Yamazaki |
Motion Graphic Designer(Making Movie) | Shinnosuke Arima |
Entrant Company | TBWA\HAKUHODO |
Idea Creation | TBWA\HAKUHODO |
Production | SAQULAI |
Production | AOI PRO. INC. |
Production | CUTTERS |
PR | TBWA\HAKUHODO |
Media Placement | TBWA\HAKUHODO |
3. Samsung Fire & Marine Insurance / Firevase - Case Film
标题 | Firevase - Case Film |
广告公司 | Cheil Worldwide |
广告战役 | Firevase |
广告主 | Samsung Fire & Marine Insurance |
品牌 | Samsung Fire & Marine Insurance |
首次发布日期 | 2019 / 2 |
行业领域 | 保险 |
哲学 | In the last 5 years in Korea, 1,535 people were killed and 9,143 injured through a fire. 58% of homes still do not have a fire extinguisher, and only 22% of people even know how to use one. So with the strategy to equip Koreans that were indifferent to fire safety with fire extinguishers, we created one that was unique so it would increase their desire to have one. Different from the regular powder-type fire extinguisher that people shied away from, the Firevase is a vase that can hold beautiful flowers, but also protects the people around by doubling as a fire extinguisher. Branded with the Samsung Fire & Marine Insurance logo, the Firevase also acts as an ambient medium strengthening the brand’s presence in the home. Execution From September 1st to December 31st, 2018, the Firevase was distributed to 100,000 households in the traditional Korean village, in the traditional markets, and other places nationwide that the government designated as fire-prone areas. While the campaign was promoted online, 20,000 Samsung Risk Consultants handed out the Firevases to the people. A video featuring a celebrity putting out a fire helped spread the campaign online as well as in theaters, and a print ad was run in 46 different newspapers and magazines. Furthermore, the Firevase was featured and talked about in news, entertainment and education programs of over 50 different TV networks and news outlets. 100,000 Firevases went to households as fire extinguishers as well as ambient media that became a topic of conversation on social media. Receivers of the Firevase even created their own content that was shared online and further spread the campaign. |
问题 | In South Korea, over 10,000 residential fires occur every year. When a fire breaks out, the effect one single fire extinguisher can have to help kill the fire in its early stage equals to that of a whole fire truck. Despite a law that required all homes to have a fire extinguisher by 2017, 58% still do not have one. And even if people do have one at home, they usually do not take proper care of it. They store it in hard-to-reach places, or forgetting about it completely. So we wondered, how could we bring the fire extinguisher back within reach of people? |
结果 | From September 1st to December 31st, 2018, the campaign spread to 32M people through various media platforms. 4.1 million customers visited the Samsung Fire & Marine Insurance website, and brand favorability increased by 83%. As a result of the campaign, 81% of respondents confirmed that they were now more aware of the importance of having a fire extinguisher at home. Furthermore, the number of homes equipped with a fire extinguisher increased by 8% nationwide, marking a significant change in behavior. This means that 4M Korean people were newly protected from the dangers of fire that could happen in their home. As the positive response kept growing among people and the media, Samsung Fire & Marine Insurance decided to produce and distribute 200,000 more Firevases, more than doubling the scale of the campaign |
媒体类别 | Product Design/Development |
长度 | |
President/CEO | Jeongkeun Yoo |
Creative Director/ art director | Hyungkyun Oh |
Creative Director/ art director | Seongphil Hwang |
文案 | Seungree Kang |
客户总监 | Changyu Park |
客户主管 | Nawon Lee |
客户主管 | Jungmin Choi |
客户主管 | Wansoo Park |
客户主管 | Jieun Chae |
设计师 | Wanmo Koo |
设计师 | Jeakyun Kim |
设计师 | Sungjin Lee |
设计师 | Taeyul Ko |
Agency | Bounce Creative |
执行制片 | Kyounghyun Kim |
制作公司 | Junpasang Production |
制作设计师 | Seunghyun Jo |
制片 | Hyungju Park |
广告公司制片 | Sunho Bae |
Sound Designer | Sunglae Hong |
音乐作曲家 | Mu Hwang |
导演 | Yonghan Moon |
Model Agent | Jooyong Kim |
制作公司 | Yonggamhan Production |
制作公司 | Kiss Fm |
Model Agency | Rue N Ran |
制作公司 | Fireworks (Seoul) |
剪辑师 | Donghyun Kim |
Flame Artist | Hong june Yoo |
Colorist | Hyunah Lee |
电影 | Changbae Kang |
美术指导 | Hyojung Ryou |
制作公司 | Mimicry |
电影 | Junbum Ann |
摄影师 | Jiwon Choi |
制作公司 | JW Pictures |
摄影师 | Kyoungwon Kang |
摄影师 | Choongsun Park |
Translator | Hyoeun Jeon |
Assistant Flame Artist | Kitae Kim |
Gaffer | Joonho Lim |
特效 | Heekyoung Lee |
制作公司 | Demolition |
Gaffer | Deokyong Lee |
电影 | Sungin Ji |
Gaffer | Seokho Lee |
Production Art Director | Jeongmin Park |
制作公司 | Laid Back |
Print Production Company | Bounce Creative |
4. United Commercial Bank / UCB AgroBanking
标题 | UCB AgroBanking |
广告公司 | Grey Advertising Dhaka |
广告战役 | UCB AgroBanking |
广告主 | United Commercial Bank |
品牌 | United Commercial Bank |
首次发布日期 | 2019 / 4 |
产品 | Agrobanking |
行业领域 | 银行与金融服务、投资、证券服务 |
广告口号 | World’s first initiative to transform fresh fruits and vegetables into bank accounts |
剧情简介 | In Bangladesh, there are 36 million financial outcasts living off the land, and without the ability to access credit, save, and secure their future. Small farmers usually grow more than they can sell in local markets. This excess produce is often wasted or sold at a loss to middlemen. AgroBanking by United Commercial Bank is the world’s first initiative to transform fresh fruits and vegetables—into bank accounts. UCB, one of the Largest Banks partnered with the largest grocery chain in Bangladesh, Shwapno, to purchase such goods at fair prices. AgroBanking allows farmers to open microsavings accounts in exchange for their produce. Through its massive farmer and distribution network, Shwapno can deliver the fresh fruits and vegetables to stores across Bangladesh. Finally giving farmers the opportunity to join the formal economy, reduce inequality and help them grow. |
媒体类别 | 案例研究 |
长度 | |
首席创意官 | Syed Gousul Alam |
创意总监 | Mohammad Akrum Hossain |
5. Kasiskornbank / Friendshit
标题 | Friendshit |
广告公司 | Grey (Thailand) Ltd. |
广告战役 | Friendshit |
广告主 | KASIKORNBANK |
品牌 | Kasiskornbank |
Posted | 5月 2018 |
行业领域 | 银行、金融、法律和保险 |
剧情简介 | A socially awkward girl is moving to a new city, leaving her best and only friend behind. The girl is hopeless at making friends and asks her pal for advice. The film cuts between their shouted conversation on the road and the girl's failure to gain social ground. Until she mentions the K PLUS banking app, then everyone thinks she's cool. This hilarious and faintly surreal spot features a social misfit who is worried that she won't be able to make friends in her new town. Despite being advised in flashbacks by her best pal, she makes faux pas after faux pas until she mentions the K Plus banking app. This opens new doors of possibility, as everyone wants to chat to her about it. A nerdy girl with only one friend in the world has to start again in a new town. This hilarious ode to the K Plus banking app captures our attention by cutting between the friends' conversation in flashback and the girl's attempts to socially ingratiate herself in her new environment. The flashbacks up the ante as their exchanges become ever more desperate and implausible. |
媒体类别 | 电视 |
长度 | |
Production Company | Hub Ho Hin Bangkok |
Chairman | Thor Santisiri |
Chief Executive Officer (CEO) | Subbaraju Alluri |
首席创意官 | Jureeporn Thaidumrong |
Managing Director | Kanaporn Hutcheson |
执行创意总监 | Asawin Phanichwatana |
创意总监 | Thanyaluck Pongacha |
文案 | Sorrasak Thummakosol |
文案 | Shanya Jiwachotkamjorn |
文案 | Warumpa Laoprasert |
文案 | Natcha Jantararotai |
美术指导 | Vanalee Kraivaree |
Group Client Service Director | Nichanan Thunduan |
战略企划总监 | Jongkoch Dusittanakarin |
Head of Production | Kanoksak Kanchanachutha |
广告公司制片 | Nattakit Wongpakorn |
6. K Plus / FACE/OFF
标题 | FACE/OFF |
广告公司 | Grey (Thailand) Ltd. |
广告战役 | FACE/OFF |
广告主 | KASIKORNBANK |
品牌 | K Plus |
首次发布日期 | 2018 / 10 |
行业领域 | 网上金融服务 |
媒体类别 | 电视 |
长度 | |
Chairman | Thor Santisiri |
Chief Executive Officer (CEO) | Subbaraju Alluri |
首席创意官 | Jureeporn Thaidumrong |
Managing Director | Kanaporn Hutcheson |
执行创意总监 | Asawin Phanichwatana |
创意总监 | Thanyaluck Pongacha |
创意总监 | Jesse Wong |
文案 | Sorrasak Thummakosol |
文案 | Sorrasak Thummakosol |
美术指导 | Vongjino Kedjariyanon |
美术指导 | Vanalee Kraivaree |
美术指导 | Nirada Thumrat |
美术指导 | Pattaratida Ruannak |
美术指导 | Nukool Khamlert |
美术指导 | Thanjira Sansanavarnee |
Client Services Director | Araya Preechapholkul |
客户经理 | Ponlawat Jantip |
Strategy Director | Jongkoch Dusittanakarin |
广告公司制片 | Nattakit Wongpakorn |
Traffic Coordinator | Juthamas Tantated |
制作公司 | Hub Ho Hin Bangkok |
标题 | Signs of love |
广告公司 | TBWA\Melbourne |
广告战役 | Signs of love |
广告主 | ANZ |
品牌 | ANZ Bank |
首次发布日期 | 2019 / 2 |
行业领域 | 银行与金融服务、投资、证券服务 |
媒体类别 | 户外广告 |
制作公司 | Revolver |
标题 | Jersey Assurance |
广告公司 | Momentum Worldwide |
广告战役 | Jersey Assurance |
广告主 | American Express |
品牌 | American Express |
Posted | 4月 2019 |
行业领域 | 信用卡 |
剧情简介 | American Express Jersey Assurance was a new service that launched on TV, in print, in social, and during a live NBA game broadcast. Fans were fed up with paying a fortune for their favourite NBA player's team shirt, then being forced to pay out yet again when he switched teams. So American Express teamed up with the NBA and sports store Fanatics to launch Jersey Assurance: fans who bought NBA jerseys would get a new shirt FREE if the player changed teams within 90 days of purchase. |
媒体类别 | Web Film |
长度 | |
PR Agency | PMK•BNC |
Digital Agency | Digitas |
媒介公司 | MindShare |
制作公司 | Hungry Man |
Content Edit House | Rock Paper Scissors |
Content Production | Versus |
EVP Global Account Director | Christine Shoaf |
首席创意官 | Omid Farhang |
执行创意总监 | James Robinson |
SVP Director of Production | Spring Clinton |
VP Director | Ian Fettinger |
VP Creative Director | Bharat Kumar |
VP Creative Director | Marcelo Ramirez |
Director Strategy | Dane Jensen |
联合创意总监 | Greg Tatum |
Senior Account Manager | Ron Beach |
Senior Copywriter | Bob Tallman |
美术指导 | Christie Kim |
美术指导 | James Barrett |
Producer Content | Robert Mulligan |
项目经理 | Samantha Nesto |
Studio Production Manager | Richard Difuria |
客户主管 | Hallie Murdock |
Agency | Wasserman + Partners Advertising |
9. Emirates NBD / Give In To Giving
标题 | Give In To Giving |
广告公司 | Leo Burnett Middle East & North Africa |
广告战役 | Give In To Giving |
广告主 | Emirates NBD |
品牌 | Emirates NBD |
首次发布日期 | 2018 / 11 |
行业领域 | 银行与金融服务、投资、证券服务 |
媒体类别 | 电视 |
长度 | |
首席创意官 | Bechara Mouzannar |
Regional Creative Director | Andre Nassar |
创意总监 | Akhilesh Bagri |
文案 | Akhilesh Bagri |
创意总监 | Sidney Araújo |
制片 | Ralph Matar |
制作公司 | Hanzo Films Dubai |
导演 | Aryasb Feiz |
执行制片 | Hijaz Moosa |
10. Erste Bank & Sparkasse / What would Christmas be without Love
标题 | What would Christmas be without Love |
标题 (原始语言) | First Christmas |
广告公司 | Jung von Matt / Donau |
广告战役 | Believe in Christmas |
广告主 | Erste Bank der österreichischen Sparkassen AG |
品牌 | Erste Bank & Sparkasse |
首次发布日期 | 2018 / 12 |
行业领域 | 银行与金融服务、投资、证券服务 |
剧情简介 | The story about the little hedgehog. A story about the power of love, of believing in yourself and in the good of others. And no matter how insurmountable an obstacle may seem: love will find its way. |
媒体类别 | 电视 |
长度 | |
制作公司 | Passion Pictures |
创意总监 | Michael Nagy |
创意总监 | Andreas Putz |
导演 | Kyra & Constantin |
文案 | Eva Zefferer |
美术指导 | Eva Zefferer |
文案 | Karin Übelbacher |
文案 | Andreas Putz |
美术指导 | Michael Nagy |
执行制片 | Debbie Crosscup |
Head of Production | Mike Turoff |
制片 | Anna Cunnington |
制片 | Rick Bland |
Colorist | Denny Cooper |
标题 | TD poster bank |
广告公司 | Leo Burnett Toronto |
广告战役 | TD poster bank |
广告主 | TD Bank, N.A. |
品牌 | TD Bank |
首次发布日期 | 2019 |
行业领域 | 银行与金融服务、投资、证券服务 |
媒体类别 | 海报 |
12. HDFC / #stopmithani
标题 | #stopmithani |
广告公司 | Leo Burnett India |
广告战役 | #stopmithani |
广告主 | HDFC Bank Ltd. |
品牌 | HDFC |
首次发布日期 | 2018 / 12 |
行业领域 | 银行与金融服务、投资、证券服务 |
媒体类别 | 社交媒体 |
长度 |
标题 | The Animals' Own Emergency Number |
广告公司 | TRY/Apt |
广告战役 | THE ANIMALS' OWN EMERGENCY NUMBER |
广告主 | DNB |
品牌 | DNB Animal Insurance |
首次发布日期 | 2018 |
行业领域 | 保险 |
剧情简介 | In case of an emergency, you call 911. But who do you call if something happens to your pet? In Norway, nine out of ten pet owners don’t know what number to call if their animal companion is in trouble. To give animals the protection they needed, DNB called for a new national emergency number, 114, for our four-legged friends. Through a nationwide petition, signed by the animals themselves, the insurer and its agency engaged thousands of pet owners across the country. The result: a service that has already saved over 1,500 animals. |
哲学 | The campaign was targeted to pet insurance customers, which directly links to potential animal patients in need of medical assistance. The whole strategy was based on solving a medical problem for animals - giving them their own official emergency number so they can be helped more efficiently. Background Situation: DNB is Norway's largest bank, but their added role as an insurance company is lesser known. Despite being rated the number one insurer for cats and dogs, the sales did not match up. Brief: Increase sales by making DNB animal insurance more well-known for all animal owners in Norway Objectives: Increase sales by +400% Describe The Creative Idea Insights: We found that the existing rational communication around pet insurance missed something important - that the target audience of animal owners saw their pets as part of their own family. The answer came when we started treating the cause as importantly as we would for any other member of the family. Through our research, it became clear there was an recurring issue facing pet owners who found themselves in serious situations with their pets: a survey showed that 9 out of 10 Norwegians had no idea what number to call if their pet needed urgent help. The idea: As the leading bank in Norway, DNB realized this could be a great opportunity to channel their size as a bank into an ambitious project for social responsibility. To ensure that all animals get the protection they deserve, DNB called out to establish the first national emergency number for animals. Describe The Execution Through a large-scale fully integrated campaign, DNB called out for an official national emergency number for animals. We launched with a national TVC, and followed up immediately with a nationwide petition that the animals themselves could sign. The media strategy ranged from traditional channels like TVC and online films to more inventive channels like roadshow petition events, a public televised political debate, start numbers on dog runs, tennis balls, snapchat filters, instagram stories and more. Over a 5 week period, we engaged animals owners (and a few more) in every platform possible. We also went beyond advertising media channels and made a more important one of our own: Together with the Norwegian Animal Protection Alliance, DNB created a fully operational emergency number for animals, basing it on the same setup as the police emergency number where you based on your location and time, will connect to the closest veterinary clinic. Describe The Strategy The goal of the campaign was reaching all pet owners across Norway, and while the ages/sexes/demographics varied - they all shared one common trait: their love for their pets. All animal owners are dedicated and engaged with their pets and especially their well-being. By choosing to channel the media strategy towards advocating and fighting for an important issue for the target audience, putting our hard-sell strategy aside and focusing on the general well-being of all animals, we managed to prove to everyone why DNB is the number one animal insurer. We based our media strategy around the existing engagement pet owners already have around their pets. From meeting them in their own environments with petition stands in dog parks across the country, to leaning into their eagerness to post pictures on social media, we were able to reach and engage a much wider audience than a traditional insurance campaign. List The Results +1450% sales increase 2.1 million organic impressions 1.4 million social interactions 8704 pets signed the petition and got their paw in our protocol Over 1400 animal owners have gotten the help they needed through our emergency number The national emergency number we created is still active and being used to this day |
媒体类别 | 案例研究 |
长度 | |
Creative | Caroline Riis |
Creative | Eirik Sørensen |
Project Manager | Kristina Skogen |
Account Director | Arne Eggen |
Designer | Jeppe Gjesti |
Press Relations Consultant | Robin Idland Krüger |
Producer | Beate Tangre |
Director | Ida Thurmann-Moe |
Director | Andreas Grødtlien |
摄影指导 | Frederik Säll |
Web designer | Syver Lauritzsen |
Web designer | Malin Elisabeth Lindberg |
Digital producer | Karen V. Madsen |
剪辑师 | Øystein Lühr-Sæthre |
Post producer | Johanne Lund |
制作经理 | Lottie Smith |
Head of Client Services | Hanne Henriksen |
AD | Egil Pay |
Graphic designer/digital producer | Elise Ismar |
Graphic designer/digital producer | Vilde Dienso Skorpen |
客户经理 | Pål Schultz |
Performance Marketing Manager | Cecilie Helsvig |
14. Hyundai Marine & Fire Insurance / Healing Jungle
标题 | Healing Jungle |
广告公司 | INNOCEAN |
广告战役 | Healing Jungle |
广告主 | Hyundai Marine & Fire Insurance |
品牌 | Hyundai Marine & Fire Insurance |
首次发布日期 | 2018 |
行业领域 | 保险 |
媒体类别 | 互动 |
长度 | |
首席创意官 | Jeremy Craigen |
执行创意总监 | Jung-A Kim |
Business Manager of Development Department | Uy Sang Kim |
美术指导 | Nari Moon |
文案 | Doyu Yang |
美术指导 | Jaeeun Kim |
美术指导 | Jiyon Rhim |
Creative Technologist | Seonhwa Hwang |
Creative Technologist | Hye-Dong Roh |
Creative Technologist | Sungwoo Kim |
Agency Producer | Bae-sung Kim |
Translator | Jinwon Jake Choi |
Account Executive | Jin-hee Park |
客户主管 | Jung-Ae Kuk |
客户主管 | Dong-hoon Shin |
客户主管 | Hyun-seok Seo |
客户主管 | La-yoon Kim |
Director | Dongha Kim |
摄影指导 | Dohyeon Kim |
Gaffer | Byeongjin Yang |
执行制片 | Woojong Kim |
Film Producer | Jihoon Lee |
Editor | Jiuk Ko |
Colorist | Junhyoung Cho |
Flame Artist | Namhee Kim |
Post Producer | Jeonghan Um |
Sound Designer | Wonwoo Lee |
Sound Studio Producer | Inwoo Hwang |
Producer | Han-Jun Jung |