Accessible luxury brands were also the most innovative
If you want to look a bit “luxury”, just sport a Lacoste polo and some Diesel jeans. The two brands – which are admittedly premium compared to others of their kind – dominated the luxury rankings: Lacoste with its innovative “Save Our Species” project and classic “Timeless” film, both via BETC; Diesel with its “Go With the Flaw” campaign. Creatively speaking, Diesel’s partnership with Publicis Italy has taken the brand back to its 1990s peaks. Elsewhere, luggage brand Rimowa (with Philipp und Keuntje) struck a chord by allowing travellers to check in their luggage via smartphone. Talking of chords, the Philharmonic Turntable Orchestra from Dentsu and Panasonic is a kind of sublime cacophony. Almost as poetic as the Shiseido ‘Party Bus’. The Volvo safety ad, ‘Moments’ brings the category nicely down to earth.
If you want to look a bit “luxury”, just sport a Lacoste polo and some Diesel jeans. The two brands – which are admittedly premium compared to others of their kind – dominated the luxury rankings: Lacoste with its innovative “Save Our Species” project and classic “Timeless” film, both via BETC; Diesel with its “Go With the Flaw” campaign. Creatively speaking, Diesel’s partnership with Publicis Italy has taken the brand back to its 1990s peaks. Elsewhere, luggage brand Rimowa (with Philipp und Keuntje) struck a chord by allowing travellers to check in their luggage via smartphone. Talking of chords, the Philharmonic Turntable Orchestra from Dentsu and Panasonic is a kind of sublime cacophony. Almost as poetic as the Shiseido ‘Party Bus’. The Volvo safety ad, ‘Moments’ brings the category nicely down to earth.
Most awarded
campaigns, brands &
agencies in
Luxury in
2018
Most awarded
campaigns, brands and
agencies in
Luxury in
2018
CAMPAIGNS
BRANDS
Brand |
---|
AGENCIES
Name | ||
---|---|---|
1 | BETC Paris, Pantin | |
2 | Publicis Italy, Milan | |
3 | BBH, London | |
4 | thjnk Hamburg | |
5 | Dentsu Inc., Tokyo |
Watch
1. Lacoste / Save Our Species
标题 | Save Our Species |
标题 (原始语言) | Save Our Species (anglais) |
广告公司 | BETC Paris |
广告战役 | Save Our Species |
广告主 | Lacoste |
品牌 | Lacoste |
首次发布日期 | 2018 / 2 |
行业领域 | 服装 |
媒体类别 | Web Film |
长度 | |
广告经理 | Sandrine Conseiller |
广告经理 | Felipe Oliveira Baptista |
广告经理 | Mylène Atlan |
广告经理 | Stéphanie Tournier |
客户经理 | Bertille Toledano |
客户经理 | Fanny Buisseret |
客户经理 | Benjamin Veaute |
执行创意总监 | Rémi Babinet |
创意总监 | Antoine Choque |
文案 | Céline Mazza |
文案 | Olivier Aumard |
美术指导 | Jonathan Baudet-Botella |
Art Director Assistant | Benoît Ferran |
战略企划 | Céline Mazza |
广告公司制片 | Karine Manzic |
制作公司 | AllSo |
制作公司制片 | Franck Annese |
音乐 | DEMON |
2. Diesel / Go With The Flaw
标题 | Go With The Flaw |
广告公司 | Publicis Italy |
广告战役 | Go With The Flaw |
广告主 | Diesel |
品牌 | Diesel |
首次发布日期 | 2017 / 9 |
行业领域 | 服装、时装和鞋类 |
媒体类别 | Web Film |
长度 | |
音效设计公司 | Grand Central Recording Studios |
Grade | MPC LDN |
执行创意总监 | Cristiana Boccassini |
美术指导 | Simone Di Laus |
美术指导 | Cecilia Moro |
文案 | Fabio Caputi |
Wardrobe / Stylist | Davey Sutton |
创意总监 | Costanza Rossi |
Digital Creative Director | Milos Obradovic |
Digital Creative Director | Mihnea Gheorghiu |
Global Chief Creative Officer | Bruno Bertelli |
Associate Copywriter | Beatrice Mari |
Chief Executive Officer (CEO) | Bruno Bertelli |
Head Of Planning | Bela Zieman |
客户企划 | Noa Dekel |
制作公司 | Division Paris |
导演 | François Rousselet |
摄影指导 | Simon Chaudoir |
客户经理 | Giada Salerno |
客户经理 | Maria Elena Gaglianese |
广告公司制片 | Cecilia Barberis |
广告公司制片 | Matilde Bonanni |
Art Buyer | Barbara Centazzo |
剪辑师 | Nicolas Larrouquere |
制片 | Jules de Chateleux |
后期制作 | Studio Invisible |
Colorist | Richard Fearon |
3. Lacoste / Timeless
标题 | Timeless |
广告公司 | BETC Paris |
广告战役 | Life is a beautiful sport since 1933 |
广告主 | Lacoste |
品牌 | Lacoste |
首次发布日期 | 2017 / 5 |
行业领域 | 运动服装 |
剧情简介 | We’re in the 1930s, and on a railway station a young man bumps into a woman he’d like to see again. After a moment’s hesitation he leaps aboard the train: and so begins a thrilling pursuit through the carriages – and through the decades. As he moves through time, the man’s Lacoste outfit changes to reflect the era. He runs, jumps and scrambles after the young woman, who soon realises what’s happening. Finally they come together in a kiss. Love, like Lacoste, is timeless. A young man bumps into a woman on a railway station platform as she boards a stream train. Realising he's smitten, he jumps on the train and begins searching for her. As he moves through the carriages he also travels through time, and we see the decades unspool - 50s, 60s, 70s - until the couple finally meet in the present day. Of course, he's been wearing Lacoste all along, because it's timeless. |
媒体类别 | 影视 |
长度 | |
Soundtrack | November |
剪辑公司 | Whitehouse Post |
媒介总监 | Julien Leveque |
Music Creative Director | Christophe Caurret |
广告经理 | Sandrine Conseiller |
广告经理 | Amandine Morel |
广告经理 | Mylène Atlan |
广告经理 | Sophie Dussillol |
客户经理 | Bertille Toledano |
客户经理 | Marina Zuber |
客户经理 | Fanny Buisseret |
客户经理 | Jeanne Chalumeau |
执行创意总监 | Rémi Babinet |
创意总监 | Antoine Choque |
美术指导 | Aurélie Scalabre |
文案 | Olivier Aumard |
Traffic Director | Kémi Zinsou |
战略企划 | Fabien le-Roux |
广告公司制片 | Fabrice Brovelli |
制作公司 | Wanda Paris |
制作公司 | Academy Films |
音效制作 | GUM – Green United Music |
导演 | Seb Edwards |
音乐 | Max Richter November |
媒介公司 | Havas Media |
后期制作 | Mikros Image |
4. Diesel / Keep The World Flawed
标题 | Keep The World Flawed |
Brief | A young man with big ears undergoes surgery to become model handsome. One day at the launderette, he meets his perfect Diesel-clad girl. Soon she's pregnant. But when she gives birth, the young man frowns. A flashback reveals the same girl - with a big nose. She too has had her flaw fixed. When we finally see the child, we recognise dad's big ears. Oh well, perfection is boring. Go with the flaw. |
广告公司 | Publicis Italy |
广告战役 | Keep The World Flawed |
广告主 | Diesel |
品牌 | Diesel |
首次发布日期 | 2018 / 1 |
行业领域 | 服装 |
剧情简介 | This is the story of a boy and a girl who meet and fall in love right after they both choose to remedy their very obvious, society-defined, flaws. In a short-movie directed, once again, by Francois Rousselet to the timeless soundtrack “What’s a Matter Baby” from Small Faces, we discover that, eventually, our so-called flaws will always be stronger than any of our attempts to hide them. So why not embrace, celebrate them and keep the world as it’s meant to be: beautifully flawed? |
媒体类别 | 电视 |
长度 | |
Soundtrack | What’s a Matter, baby? |
音乐 | Grand Central Recording Studios |
Global Chief Creative Officer | Bruno Bertelli |
Chief Executive Officer (CEO) | Bruno Bertelli |
执行创意总监 | Cristiana Boccassini |
Digital Creative Director | Milos Obradovic |
Digital Creative Director | Mihnea Gheorghiu |
联合创意总监 | Eddy Guimaraes |
联合创意总监 | Vinicius Dalvi |
创意总监 | Simone Di Laus |
美术指导 | Alice Teruzzi |
文案 | Francesca Ferracini |
Head Of Planning | Bela Ziemann |
客户企划 | Noa Dekel |
客户企划 | Monica Radulescu |
客户经理 | Barbara Pusca |
客户经理 | Filippo D’Andrea |
客户经理 | Camilla Poli |
客户经理 | Maria Elena Gaglianese |
广告公司制片 | Silvia Cattaneo |
Art Buyer | Caterina Collesano |
制作公司 | Division Paris |
导演 | François Rousselet |
摄影指导 | Simon Chaudoir |
剪辑师 | Adriana Legay |
5. Panasonic SL−1200 / The Philharmonic Turntable Orchestra
标题 | The Philharmonic Turntable Orchestra |
广告公司 | Dentsu Inc. |
广告战役 | The Philharmonic Turntable Orchestra |
广告主 | Panasonic |
品牌 | Panasonic SL−1200 |
首次发布日期 | 2018 / 4 |
行业领域 | 电视,高保真音响,视频播放器,个人音响及配件 |
剧情简介 | Commemorating the first LP record in history, this orchestra used only the analogue SL-1200 record player as an “instrument.” The orchestra united 30 highly skilled DJs from around the world, including scratch legend Q-bert and DJ Rena, the world's youngest scratch champion at age 13. Together they remixed several classical tunes, starting with the first song ever sold as an LP: Mendelssohn’s Concerto in E Minor. The result was a completely different kind of music. |
媒体类别 | Web Film |
长度 | |
执行创意总监 | Yu Kaneno |
创意总监 | Goro Ohsawa |
创意总监 | Kentaro Suda |
文案 | Ryuta Kimura |
客户企划 | Ryuta Kimura |
文案 | Takumi Ichikawa |
美术指导 | Satoshi Kohno |
客户经理 | Takeshi Saito |
音乐制作人 | Keisuke "Tommy" Tominaga |
6. Volvo XC60 / Moments (180s)
标题 | Moments (180s) |
广告公司 | Forsman & Bodenfors Göteborg |
广告战役 | Sometimes The Moments That Never Happen, Matter The Most. |
广告主 | Volvo |
品牌 | Volvo XC60 |
首次发布日期 | 2017 / 6 |
行业领域 | 轿车 |
剧情简介 | A little girl is on her way to the first day at her new school. In flashback, we see her talking to her mother about her dreams and hopes for the future. Throughout the story we also follow a woman driving a Volvo XC60 on her way to work. Everything is leading up to a critical moment. An accident is about to happen, but Volvo’s City Safety system kicks in and brakes the car automatically. Of all the moments in the little girl's life, this might be the most important one. Sometimes the moments that never happen, matter the most. |
哲学 | In the launch campaign for the New Volvo XC60 – one of the safest cars ever made – we celebrate everything that can happen in life, when accidents don’t. We get to follow a young girl on her way to the first day of a new school, while simultaneously hearing her talk to her mom about her dreams and hopes for the future. Throughout the story we also follow a woman driving an XC60 on her way to work. Everything is leading up to a critical moment towards the end of the film. An accident is about to happen, but Volvo’s City Safety system recognizes the little girl and brakes the car automatically. And out of all the moments the young girl talks about in the film, this might just be the most important one. Because sometimes the moments that never happen, matter the most. |
媒体类别 | 影视 |
长度 |
7. Rimowa Electronic Tag / Rimowa Electronic Tag
标题 | Rimowa Electronic Tag |
广告公司 | Philipp und Keuntje GmbH |
广告战役 | Rimowa Electronic Tag |
广告主 | Rimowa |
品牌 | Rimowa Electronic Tag |
Posted | 5月 2018 |
行业领域 | 行李箱与旅行包 |
媒体类别 | 手机广告 |
长度 |
8. Shiseido / The Party Bus
标题 | The Party Bus |
广告公司 | Shiseido Creative Division |
广告战役 | The Party Bus |
广告主 | Shiseido |
品牌 | Shiseido |
首次发布日期 | 2018 / 10 |
行业领域 | 化妆 |
广告口号 | Make Up your own story |
剧情简介 | A costume party is in full flow on a bus rolling through the night. A girl disguised as Princess Kaguya is torn between her jealous boyfriend and a mysterious suitor. Finally she makes a decision, and jumps off the bus to join her new lover. Containing elements of drama, animation and dance, the extraordinary fairy tale is an ode to the power of make-up. |
媒体类别 | Web Film |
长度 | |
市场 | 日本 |
导演 | Show Yanagisawa |
创意总监 | Masoto Kosakawa |
制作公司 | Towerfilm |
后期制作 | Digital Eggs |
后期制作 | My Working |
9. Forbes / Ricky Brasil
标题 | Ricky Brasil |
广告公司 | . |
广告战役 | Ricky Brasil |
广告主 | Forbes Brazil Magazine |
品牌 | Forbes |
首次发布日期 | 2018 / 4 |
行业领域 | 媒体、出版物及制作 |
剧情简介 | Corruption in Brazil is a multi-billion-dollar business. Although the accurate amount siphoned off public coffers escapes any assessment, officers with the ‘Operaçao Lava Jato’ (Operation Car Wash) officially estimate that resources lost to local bribery schemes amount to roughly US$ 61 billion a year. If the sum ended up in the hands of a single individual, she would hold the eighth largest fortune in the world, according to Forbes World’s Billionaires List 2018. But what would the identity of this Brazilian “billionaire” be? His bodily features? His opinions, consumer habits? Which market segment would be operate in? What would he think about the graft probing operations? To raise public awareness around Brazil and join in the fight against corruption, magazine Forbes Brazil, ad agency Ogilvy Brazil, and technology companies Nexo and Notan have employed artificial intelligence to attempt to vividly depict the ‘face’ of Brazilian corruption. Along with the face itself and its features, our machine-learning device took the experiment one step further and pointed out personality traits associated with this person, called Mr. Ricky Brasil – a reference to Brazil’s billion-dollar corruption. The project leading to Mr. Ricky Brasil began over ten months ago, with extensive research into the interviews and official depositions of some of the main convicts during operations Mensalão and Car Wash. With this content – local media reports, statements, interviews, books – being fed into the system, artificial intelligence could cross-check information and finally produce what is believed to be the closest portrayal of Mr. Ricky Brasil. The project is under curatorship of a journalist and a specialised writer. |
哲学 | Corruption in Brazil is a multi-billion-dollar business. Although the accurate amount siphoned off public coffers escapes any assessment, officers with the ‘Operaçao Lava Jato’ (Operation Car Wash) officially estimate that resources lost to local bribery schemes amount to roughly US$ 61 billion a year. If the sum ended up in the hands of a single individual, she would hold the eighth largest fortune in the world, according to Forbes World’s Billionaires List 2018. But what would the identity of this Brazilian “billionaire” be? His bodily features? His opinions, consumer habits? Which market segment would be operate in? What would he think about the graft probing operations? To raise public awareness around Brazil and join in the fight against corruption, magazine Forbes Brazil, ad agency Ogilvy Brazil, and technology companies Nexo and Notan have employed artificial intelligence to attempt to vividly depict the ‘face’ of Brazilian corruption. Along with the face itself and its features, our machine-learning device took the experiment one step further and pointed out personality traits associated with this person, called Mr. Ricky Brasil – a reference to Brazil’s billion-dollar corruption. The project leading to Mr. Ricky Brasil began over ten months ago, with extensive research into the interviews and official depositions of some of the main convicts during operations Mensalão and Car Wash. With this content – local media reports, statements, interviews, books – being fed into the system, artificial intelligence could cross-check information and finally produce what is believed to be the closest portrayal of Mr. Ricky Brasil. The project is under curatorship of a journalist and a specialised writer. |
媒体类别 | 互动 |
长度 | |
首席创意官 | Claudio Lima |
执行创意总监 | felix del valle |
创意总监 | Eduardo Doss |
创意总监 | Guiga Giacomo |
美术指导 | Paulo Engler |
文案 | Mariana Albuquerque |
客户企划 | Daniel de Tomazo |
项目经理 | Priscilla Saikai |
制作公司制片 | Patricia Silveira |
媒介总监 | Paulo Ferreira |
剪辑师 | Deydson Rocha |
广告经理 | Antonio Camarotti |
制作公司 | Trator |
导演 | Vinicius Colé |
摄影 | Vinicius Colé |
制作公司制片 | Eduardo Saraiva |
音效制作 | Evil Twin |
3D Graphics | Alan Prado |
音乐作曲家 | Igor Sacilotto |
10. BMW / Transformation of a Landmark
标题 | Transformation of a Landmark |
广告公司 | Jung von Matt / Spree |
广告战役 | 100.000 electric cars sold in 2017 |
广告主 | BMW |
品牌 | BMW |
Posted | 5月 2018 |
行业领域 | 轿车 |
剧情简介 | Monday evening, December 18th, BMW’s iconic Four Cylinder Building underwent a spectacular transformation to mark the 100,000th electrified BMW sold in 2017 and the brand’s unwavering commitment to an electric future. Designed by Austrian architect Karl Schwanzer, the BMW Headquarters was finished in 1972, in time for the Munich Summer Olympics. The 331 feet tall building is one of the most important German landmarks, mimicking the shape of the four cylinders in a typical car engine. Notably, the cylinders do not stand on the ground; they are suspended on a central support tower. The light projection turning the old cylinders into iconic electric batteries underscores a new landmark for the Munich-based German automotive manufacturer BMW, which launched the all-electric i3 in 2013. The epic projection involved 9 OPSL laser projectors, 10 additional projectors, 100 LED lights and 480 intelligent moving lights. 84 kilometers of cables were used for data and lighting and 820 cubic meters of materials. Next in the pipeline, BMW plans to offer 25 electrified models by 2025, 12 of which will be fully electric. Some of the cars will have a range of up to 435 miles. |
媒体类别 | 案例研究 |
长度 | |
音乐 | 2WEI Music |
执行创意总监 | Till Eckel |
执行创意总监 | Joachim Kortlepel |
导演 | Tobias Paul |
摄影师 | Ralph Larmann |
导演 | Simon and Paul |
创意总监 | Christian Wölky |
创意总监 | Mihai Gongu |
创意总监 | Stefan Amtmann |
文案 | Simon Knittel |
文案 | Lena Charbonnier |
美术指导 | Elena Knittelfelder |
美术指导 | Sebastian Hölzer |
美术指导 | Dustin Przibilla |
美术指导 | Christian Dallmeier |
Consultant | Jan Anderßen |
Consultant | Niels Böse |
Consultant | Stephan Süß |
Consultant | Julian Pankratz |
11. Volvo XC60 / Live Reviews
标题 | Live Reviews |
广告公司 | Grey Brasil |
广告战役 | Volvo live reviews |
广告主 | Volvo |
品牌 | Volvo XC60 |
首次发布日期 | 2017 / 10 |
行业领域 | 轿车 |
媒体类别 | 互动 |
长度 |
标题 | Care by Volvo mobile app |
广告公司 | Grey New York |
广告战役 | Care by Volvo mobile app |
广告主 | Volvo |
品牌 | Volvo |
Posted | 6月 2018 |
行业领域 | 汽车 |
媒体类别 | 互动 |
长度 |
13. Mercedes-Benz / Return to Chapman's Peak
标题 | Return to Chapman's Peak |
广告公司 | Net#work BBDO |
广告战役 | Return to Chapman's Peak |
广告主 | Daimler AG |
品牌 | Mercedes-Benz |
首次发布日期 | 2018 / 5 |
行业领域 | 轿车 |
剧情简介 | Legendary South African crash survivor revisits site of 30 story plunge in autonomous S-Class. |
媒体类别 | Web Film |
长度 | |
美术指导 | Steven Tyler |
广告公司制片 | Lee-Ann Jacobs |
动画 | Ryan Paikin |
广告经理 | Selvin Govender |
首席创意官 | Mike Schalit |
电影 | Lorens Van Rensburg |
创意总监 | Tim Beckerling |
导演 | Lourens Van Rensburg |
剪辑师 | James O'Sullivan |
执行创意总监 | Brad Reilly |
制作公司 | 7Flims |
音乐 | Audio Militia |
后期制作 | Ludus |
制作公司制片 | Nina van Rensburg |
14. Mercedes-Benz / The Amber Cube
标题 | The Amber Cube |
广告公司 | antoni GmbH |
广告战役 | The Amber Cube |
广告主 | Daimler AG |
品牌 | Mercedes-Benz |
Posted | 6月 2018 |
产品 | G-Class |
行业领域 | 轿车 |
媒体类别 | 影视 |
长度 |
标题 | Lazy |
广告公司 | Publicis Italy |
广告战役 | Go With The Flaw |
广告主 | Diesel |
品牌 | Diesel |
首次发布日期 | 2018 / 7 |
行业领域 | 服装、时装和鞋类 |
媒体类别 | 平面 |
Grade | MPC LDN |
音效设计公司 | Grand Central Recording Studios |
Global Chief Creative Officer | Bruno Bertelli |
Chief Executive Officer (CEO) | Bruno Bertelli |
摄影指导 | Simon Chaudoir |
制片 | Jules de Chateleux |
创意总监 | Costanza Rossi |
Digital Creative Director | Mihnea Gheorghiu |
剪辑师 | Nicolas Larrouquere |
广告公司制片 | Cecilia Barberis |
客户经理 | Giada Salerno |
文案 | Fabio Caputi |
客户经理 | Maria Elena Gaglianese |
导演 | François Rousselet |
Colorist | Richard Fearon |
Digital Creative Director | Milos Obradovic |
Wardrobe / Stylist | Davey Sutton |
美术指导 | Simone Di Laus |
执行创意总监 | Cristiana Boccassini |
Associate Copywriter | Beatrice Mari |
客户企划 | Noa Dekel |
广告公司制片 | Matilde Bonanni |
Head Of Planning | Bela Zieman |
美术指导 | Cecilia Moro |
Art Buyer | Barbara Centazzo |
制作公司 | Division Paris |
后期制作 | Studio Invisible |