| 标题 | Mogari-Bune/Higashi |
| 广告公司 | Dentsu Craft |
| 广告战役 | Mogari-Bune/Higashi |
| 广告主 | YAKUSHIMA TREASURE |
| 品牌 | YAKUSHIMA TREASURE |
| Posted | 11月 2021 |
| 行业领域 | 唱片、光盘、DVD光碟及录像 |
| 哲学 | "YAKUSHIMA TREASURE is a music unit that creates music inspired by Yakushima island. 'ANOTHER LIVE' is an interactive web browser content that allows you to watch their latest live performance in the ""Banyan Forest"" on Yakushima. Now is a time when we are limited in our ability to feel the physical presence of other people or to even go outdoors. YAKUSHIMA TREASURE was looking for a way to deliver its music. However, they thought it would be difficult to surpass the quality of a live performance by simply distributing video. We were required to create a completely new shared experience of live performance that was different from the real live experience, and different from the streaming live video experience of the past. This was more than simply a concert video stream. This work allowed audiences to experience an entirely new way of taking in a concert that is different from both regular video captured with a camera and from a scene observed with the human eye. Rather than recording video of this musical performance about the cycle of rebirth, we captured a world ""seen by spirits"" in the form of data. The goal was to create a new way to experience live performance, and we decided to choose the technology necessary to make this happen. We thoroughly discussed the definition of ""live performance"" -A live performance must be well established. -It should be a one-time live performance without re-recording. -Interactions that enhance simultaneous viewing. In order to achieve these goals, we prepared surround sound, mixer, instruments, costumes, etc. in the banyan forest, and placed importance on performing a high quality live performance. In order not to miss a single moment, we used a scanning method to record the entire live performance, including nine depth-sensing cameras to capture the movement and a 360° camera to scan the space. The scanned data is then reconstructed to create a viewing experience that makes you feel as if you and others are present in the live space. By rethinking the essence of live performance and using technology, we succeeded in redefining it. 360° LiDAR Scan The entire forest was scanned as 3D point cloud data with a LiDAR sensor. Photogrammetry Photogrammetry employing over 1,500 high-resolution photographs enabled expression of colors and texture as though from a painting. Volumetric Video Nine depth cameras were used. They recorded 3D data that captured absolutely all of the movement and expression from a one-time-only performance. Spatial Audio 360° microphones in a surround sound system using eight speakers recorded the audio. Space and colors momentarily cut out. Motion and sound captured as time progresses. A live performance reconstructed in a combination of different perspectives on the world. Free from the physical constraints of camera angles, the audience could approach very close to the artist, fly throughout the forest, and view the concert from any perspective. The data on the audience members' perspectives was recorded as a human presence and shared, thus enabling them to sense each other's presence. |
| 媒体类别 | Music Video |
| 长度 | |
| 制作公司 | Dentsu Craft |
| 创意总监 | Kaoru Sugano |
| Art Production | Yuji Ueno |
| 导演 | Koichiro Tsujikawa |
| 执行制片 | Masafumi Fujioka |
| 制片 | Kenya Miyashita |
| 制片 | Makoto Yamashita |
| CG Director | Munechika Inudo |
| CG Producer | Yoshifumi Sadahara |
| CG Producer | Shohei Yoshikawa |
| 技术总监 | Yasuhiko Nishimura |
| 技术总监 | Hiroyoshi Murata |
| 技术总监 | Hiroyuki Hori |
| Technical Support | Fumihiko Kamemura |
| Web Director | Kei Sato |
| 编程人员 | Eiki Kurokawa |
| 编程人员 | Yuki Tanabe |
| 编程人员 | Atsushi Asakura |
| 编程人员 | Santa Naruse |
| Backend Engineer | Shu Takano |
| Infrastructure Engineer | Jun Kuriyama |
| Director of Behind the Scenes | Masahiko Nakashima |
| Sound Design and Mix | Toshihiko Kasai |
| Surround Sound Design | Jiro Kubo |
| Sound Assistant | Naoto Oka |
| Sound Assistant | Tomomi Baba |
| Audio Equipment Support | Hitoshi Shimohagihara |
| UFO-Koto Production | Tomonobu Asamura |
| Live Production | Tatsunosuke Ide |
| Live Production | Hiroshi Haneda |
| Producer, Artist Manager | Mariko Kurose |
| Location Coordinator | Takuya Tabira |
| Wardrobe / Stylist | Shinya Watanabe |
| Hair and Makeup | TORI |