| 标题 | Tribal Women |
| 广告公司 | BBH |
| 广告战役 | The Lynx Effect |
| 广告主 | Unilever |
| 品牌 | Lynx |
| 首次发布日期 | 1998 / 6 |
| 产品 | Deodorant |
| 行业领域 | 体香剂 |
| 剧情简介 | Guy stumbles across a society of tribal woman and uses one of their furry bras to kill a monster |
| 哲学 | In revisiting the communication model, it was clear that a new expression of seduction and masculinity was needed. We introduced a tongue-in-cheek humour to the advertising and a new, ironic expression of seduction The Lynx Effect. As youth culture accelerated, as it became more fluid and demanding, Lynx also had to evolve beyond its existing ad formula of just one theme campaign a year. The Lynx Effect has been expressed in tv and print, in tactical ads and shorts, in events and promotions. Lynx deodorant has been a UK youth icon for 17 years. Used by ¾ of 15-24 men, it has a higher penetration than Coke or the Internet and an estimated value of 5 times Own Labels equivalent. Lynx depends on its connection with youth culture and sexual mores. Advertising has been the critical lever in long term success, fast enough to continually reconnect the brand with new youth cohorts in their own changing languages. |
| 问题 | When Lynx first came to BBH in 1995, the brand was widely recognised as the leading male deodorant body spray. However, research indicated that the brand image, and advertising in particular, were losing credibility with its audience and the brand was in danger of becoming the Brut of the 90s. |
| 媒体类别 | 电视 |
| 长度 | |
| 市场 | 英国 |
| 执行创意总监 | Dennis Lewis |
| 美术指导 | Adam Chiappe |
| 文案 | Adam Chiappe |
| 美术指导 | Matthew Saunby |
| 文案 | Matthew Saunby |
| 广告公司制片 | Susan Vale |
| 导演 | Andy Morahan |