标题 | You'll Totally Get There |
广告公司 | St. Luke’s Communications |
广告战役 | You'll Totally Get There |
广告主 | TotallyMoney |
品牌 | TotallyMoney |
首次发布日期 | 2023 / 1 |
行业领域 | 银行与金融服务、投资、证券服务 |
广告口号 | You’ll totally get there |
剧情简介 | The brightly coloured painterly animation shows a variety of people, with different ambitions, embarking on their journey via metaphorical rope ladders and climbing up to their targets that rest in clouds. The soft pastel animation style is designed to be inviting and include all sorts of aspirations, encouraging people with the tag line ‘You’ll totally get there’. |
哲学 | St Luke’s has kicked off its first work for credit app, TotallyMoney with a TV & Online campaign that demonstrates how with the right guidance and support, people can climb higher and reach their goals. Recent TotallyMoney research found that 20 million adults are financially under-served, a figure which has grown by 50% in just six years. And this is who they’re building an app for. With a belief that customers' data should work for them, not against them, the fintech provides almost five million customers with a free, live credit report, personalised alerts to highlight what might be holding them back, and tailored tips to help improve their score. The new 30-second spot titled ‘You’ll totally get there’ highlights TotallyMoney’s free credit report and personalised plans, with a narrative that sees people on a journey towards their financial goals — something that will resonate with many who are uncertain about where to start. The three-month campaign will appear on TV, VOD and YouTube until end March 2023, with media planning and buying by Electric Glue. |
媒体类别 | 电视 |
长度 | |
Soundtrack | “My Way Up” by Molly Kate Kestner |
广告经理 | Alastair Douglas |
广告经理 | Rebecca Shears |
广告经理 | Janice Tong Davies |
广告经理 | Harshil Varsani |
广告经理 | Henry Keegan |
首席创意官 | Al Young |
创意合伙人 | Julian Vizard |
Copywriter / Art Director | Danny Jones |
Copywriter / Art Director | Jordan Morris |
广告公司制片 | Davina Hickson |
Chief Strategy Officer | Dan Hulse |
Planner | Joanna Barnett |
Business Director | Will Bright |
客户总监 | Claire Smith |
客户经理 | Hope Shooter |
导演 | Mateus de Paula Santos |
制作公司 | Lobo |
制作公司 | Ground Control |
制片 | Michael Stanish |
制片 | Su Constantine |
执行制片 | Loic François |
执行制片 | Marie Dubois |
执行制片 | Michael Stanish |
Head of Production | Clara Morelli |
Head of Post Production | Marcelo Barbosa |
Head of CG | Fabio Shigemura |
Coordinator | Rosangela Gomes |
Coordinator | Cristiane Santos |
Post-production Producer | Patricia Signorini |
Storyboard | Fernando Heynen |
Color Script | Pedro Minho |
美术指导 | Felipe Jordnada |
Concept | Fabio Miraglia |
Styleframes | Felipe Jordnada |
Styleframes | Gabriel Dos Anjos |
Styleframes | Marcio Guerra |
剪辑师 | Patricia Signorini |
CG Supervisor | Danilo Enoki |
Previs Team | Marcos Samia |
Previs Team | Danilo Enoki |
Modelling | Max Beggs |
Modelling | Natan Ernani |
Modelling | Ozani Ferreira |
Modelling | Tiago Mesquita |
Modelling | William Silva |
Lighting & Render | Annelise Campana |
Lighting & Render | George Damiani |
Texture | Ricardo Riamonde |
Texture | Renan Takeshita |
Rigging | Gabriel Nakata |
Rigging | Rafael Dias |
Rigging | Rafael Kendy Shiva |
Simulation | Eduardo Dutra |
Simulation | Gabriel Acacio |
Simulation | Luiz Duarte |
Lead Animator | Larissa Paz |
动画 | André Lorenzini |
动画 | Camila Xavier Fazolin |
动画 | Fellype de Oliveira |
动画 | Gustavo Oes |
动画 | Karina Chung |
动画 | Leo Zitto |
动画 | Michael Maron |
动画 | Mendel Reis |
动画 | Nicolás Taró |
2d Vfx Artist | Gabriel Dos Anjos |
2d Vfx Artist | Marcio Guerra |
2d Vfx Artist | Romulo Oliveira |
Composition | Leandro Pena |
Color Grade Artist | Leticia Blanco |
Color Grade Company | Nineteentwenty |
媒介公司 | Electric Glue |