LACOSTE SERVES A GREAT GAME BUT DESIRABLE CARS ARE THE STARS OF THE LUXURY SECTOR.
It’s always interesting to note that the rarefied brands most closely associated with luxury – the Chanels and Cartiers of the world – tend to snub awards shows. And indeed not one of them is present in the top 15. What we see here are more accessible luxury brands. Lacoste tops the line-up with the emotive “Crocodile Inside” film, then “crocs” up again at number 5 with its “Crocodile Free” initiative, making it the most awarded luxury brand. The rest of the peloton is filled with automotive brands: Volvo, BMW and Mercedes. Later in the top ten we find Diesel, purveyor of premium casual wear and back on a creative roll that recalls its glory days in the 1990s, sending Publicis Italy to the second slot on the list of most-awarded agencies (after Lacoste’s BETC).
It’s always interesting to note that the rarefied brands most closely associated with luxury – the Chanels and Cartiers of the world – tend to snub awards shows. And indeed not one of them is present in the top 15. What we see here are more accessible luxury brands. Lacoste tops the line-up with the emotive “Crocodile Inside” film, then “crocs” up again at number 5 with its “Crocodile Free” initiative, making it the most awarded luxury brand. The rest of the peloton is filled with automotive brands: Volvo, BMW and Mercedes. Later in the top ten we find Diesel, purveyor of premium casual wear and back on a creative roll that recalls its glory days in the 1990s, sending Publicis Italy to the second slot on the list of most-awarded agencies (after Lacoste’s BETC).
Most awarded
campaigns, brands &
agencies in
Luxury in
2020
Most awarded
campaigns, brands and
agencies in
Luxury in
2020
CAMPAIGNS
BRANDS
Brand | ||
---|---|---|
1 | Lacoste | |
2 | Volvo | |
3 | Diesel | |
4 | BMW | |
5 | Mercedes-Benz |
AGENCIES
Name | ||
---|---|---|
1 | BETC Paris, Pantin | |
2 | Publicis Italy, Milan | |
3 | Forsman & Bodenfors Göteborg | |
4 | Jung von Matt AG, Hamburg | |
5 | antoni GmbH, Berlin |
Watch
1. Lacoste / Crocodile Inside (97s)
标题 | Crocodile Inside (97s) |
广告公司 | BETC Paris |
广告战役 | Crocodile Inside |
广告主 | Lacoste |
品牌 | Lacoste |
首次发布日期 | 2019 / 5 |
行业领域 | 服装、时装和鞋类 |
媒体类别 | 影视 |
长度 | |
Soundtrack | L’Hymne à l’amour - Edith Piaf |
制作公司 | Iconoclast |
广告经理 | Sandrine Conseiller |
广告经理 | Amandine Morel |
广告经理 | Mylène Atlan |
广告经理 | Amandine Delcour |
Account Management | Bertille Toledano |
Account Management | Gaëlle Gicqueau |
Account Management | Fanny Buisseret |
执行创意总监 | Rémi Babinet |
创意总监 | Aurélie Scalabre |
创意总监 | Olivier Aumard |
创意总监 | Damien Bellon |
美术指导 | Aurélie Scalabre |
文案 | Olivier Aumard |
联合美术指导 | Jessica Fecteau |
战略企划 | Philippe Martin-Davies |
Music Creative Director | Christophe Caurret |
制作公司 | General Pop |
导演 | Megaforce |
2. Volvo / The E.V.A. Initiative
标题 | The E.V.A. Initiative |
广告公司 | Forsman & Bodenfors Göteborg |
广告战役 | The E.V.A. Initiative |
广告主 | Volvo |
品牌 | Volvo |
首次发布日期 | 2019 / 3 |
行业领域 | 轿车 |
剧情简介 | E.V.A stands for Equal Vehicles for All. Most crash test dummies are modelled on men, meaning that women behind the wheel are often more vulnerable. But since the 1970s Volvo has based its car designs and safety innovations on data from real accidents, involving both men and women, making its vehicles safer for everyone. This data was made public through a digital library, with the aim of making all cars safer. The project had a precedent because Volvo had previously given away its patented seat belt technology. |
媒体类别 | Integrated Media/360 Activation |
长度 | |
市场 | 英国 |
Soundtrack | “Without You (feat. Kerry Leatham)” |
更多信息 | https://www.volvocars.com/intl/why-volvo/human-innovation/future-of-driving/safety/cars-safe-for-all?utm_source=youtube&utm_medium=social&utm_content=safe_bio-description_16x9&utm_campaign |
音效 | Factory Studios |
Campaign Manager | Louise Ahlström |
文案 | Hampus Elfström |
文案 | Simon Lublin |
文案 | Jacob Nelson |
美术指导 | Karl Risenfors |
美术指导 | Leo Dahl |
美术指导 | Adam Ulvegärde |
美术指导 | Sophia Lindholm |
战略企划 | Trine Keller-Andreasen |
战略企划 | Daniel Sjöstrand |
Digital Strategist | Peter Gaudiano |
制片 | Lena Sellman |
客户主管 | Katarina Klofsten |
客户主管 | Ewa Edlund |
Web design | F and B Inhouse |
Artwork | Martin Joelsson |
Artwork | Ingrid Arnsand Jonsson |
客户主管 | Magnus Wretblad |
Public Relations | Maja Bredberg |
Public Relations | Bjarne Darwall |
媒介公司 | Mindshare Sweden |
制作公司 | NEW LAND Stockholm |
执行制片 | Erik Torell |
执行制片 | Therese Engberg |
导演 | Laerke Herthoni |
摄影指导 | Rasmus Videbaek |
制片 | Joel Rostmark |
剪辑师 | Johan Söderberg |
Dancer | Amy Gardner |
着色 | Framestore |
Color Assist | Simon Bourke |
VFX Supervisor | Joel Lindman |
CG Artist | Laurent Clermont |
Online Artist | Rajdarn Elderado |
Online Studio | Chimney Pot |
Color Producer | Chris Anthony |
Post-production Producer | Moa Looft |
VFX Executive Producer | Anton Söderhäll |
VFX PRODUCTION | Goodbye Kansas |
VFX Producer | Linda Öhlund |
VFX Lead | Filip Orrby |
Grade | Framestore |
表演者 | Lapalux |
音乐 | Ninja Tune |
Publishing Rights | Just Isn't Music |
Sound Producer | Lucy Spong |
Sound Design and Mix | Jon Clarke |
CGI | Superstudios |
3. BMW / The Small Escape
标题 | The Small Escape |
广告公司 | Jung von Matt AG |
广告战役 | The Small Escape |
广告主 | BMW |
品牌 | BMW |
首次发布日期 | 2019 / 10 |
行业领域 | 汽车 |
媒体类别 | Branded Content |
长度 | |
后期制作 | Whitehouse Post |
导演 | Alex Feil |
摄像师 | Khalid Mohtaseb |
制作公司 | Tempomedia Filmproduktion GmbH |
执行创意总监 | Thim Wagner |
剪辑师 | Iain Whitewright |
制片 | Birgit Damen |
4. Mercedes-Benz / Bertha Benz: The Journey That Changed Everything
标题 | Bertha Benz: The Journey That Changed Everything |
广告公司 | antoni GmbH |
广告战役 | Bertha Benz: The Journey That Changed Everything |
广告主 | Daimler AG |
品牌 | Mercedes-Benz |
首次发布日期 | 2019 / 3 |
行业领域 | 汽车 |
广告口号 | She believed in more than a car. She believed in herself |
剧情简介 | To prove that her husband’s invention was the future of mobility, Bertha Benz went on the first long-distance journey in an automobile. 131 years later, she was celebrated in a short film launched on International Women’s Day. We see Bertha driving her "horseless carriage" into a fearful town, where a pharmacy that sells "ligroin" petroleum unwittingly becomes the world's first gas station. After overcoming the scepticism of onlookers, and especially the contempt of the menfolk, she motors triumphantly away. |
媒体类别 | Web Film |
长度 | |
剪辑公司 | Trim Editing |
广告经理 | Damir Maric |
广告经理 | Boris Daimler AG |
广告经理 | Boris Helms |
广告经理 | Daniel Ritsch |
Managing Director | Sven Dörrenbächer |
Managing Director | Matthias Schmidt |
Managing Director | Jörg Schultheis |
执行创意总监 | Marcell Franke |
执行创意总监 | Veit Moeller |
执行创意总监 | Tilman Gossner |
创意总监 | Alice Bottaro |
文案 | Andre Santa Cruz |
Strategist | Alicia Gaworska |
制作公司 | Anorak Film |
导演 | Sebastian Strasser |
Managing Director | Christiane Dressler |
执行制片 | Christoph Petzenhauser |
制片 | Christoph Petzenhauser |
制作公司制片 | Björn Levy-Krüger |
摄影指导 | Justin Brown |
制作设计师 | Robin Brown |
剪辑师 | Thomas Grove-Carter |
音效设计公司 | Slaughterhouse GmbH |
音乐作曲家 | Steffen Thum |
音乐作曲家 | Lorne BalfeHelms |
音乐作曲家 | Daniel Ritsch |
制作公司制片 | Björn Levy-Krüger |
5. Lacoste / IUCN / Crocodile Free (Film Case)
标题 | Crocodile Free (Film Case) |
广告公司 | BETC Paris |
广告战役 | Crocodile Free |
广告主 | Lacoste |
品牌 | Lacoste / IUCN |
首次发布日期 | 2019 |
行业领域 | 服装、时装和鞋类 |
剧情简介 | For the second year of its partnership with the International Union for Conservation of Nature (IUCN), Lacoste pushed its engagement for wildlife even further. Its iconic crocodile left its usual spots to ten threatened species in every square foot of Lacoste’s main stores in the world. All Lacoste communication and social platforms also became “Crocodile-Free”. All profits from this day helped IUCN’s efforts to conserve threatened wildlife. |
媒体类别 | 案例研究 |
长度 | |
Account Management | Bertille Toledano |
Account Management | Fanny Buisseret |
Account Management | Charlotte Seillier |
Account Management | Suzy Morin |
执行创意总监 | Rémi Babinet |
创意总监 | Antoine Choque |
美术指导 | Jonathan Baudet-Botella |
文案 | Olivier Aumard |
Music Creative Director | Christophe Caurret |
联合美术指导 | Benoît Ferran |
联合美术指导 | Jessica Fecteau |
动作设计 | Olivier Kharon |
Post-production Supervisor | Anne-Sophie Touveron |
制作公司 | General Pop |
音效制作 | GUM – Green United Music |
Head of Strategy | Lennie Stern |
Head of Activation & Strategy | Julien Leveque |
6. Volkswagen / Road Tales
标题 | Road Tales |
标题 (原始语言) | Snelweg Sprookjes |
广告公司 | Dentsu Creative |
广告战役 | Road Tales |
广告主 | Volkswagen Group |
品牌 | Volkswagen |
首次发布日期 | 2019 / 1 |
行业领域 | 汽车 |
剧情简介 | How to encourage kids to enjoy the scenery during road trips rather than being riveted to a screen? Road Tales are location-based audiobooks that transform car journeys into magical tales. Landmarks like windmills, bridges and lakes become story elements. Parents can download the app and play the interactive stories through the car’s sound system. 5000 kilometres of highway were scanned to create a custom experience for every ride. Through a mix of classic storytelling, "I spy" and creative use of data, VW turns every journey into a story. |
哲学 | Most of us can relate to the image of kids looking outside the window letting their mind wander into imaginary worlds as they travel along the road. But the back seat of most family cars today looks quite differently: children sucked into screens, disconnected from what surrounds them. Screen time is constantly increasing, specially among younger generations. The American Academy of Pediatrics (AAP) updated their guidelines for children’s media use, as children desperately need more free time to ignite their imaginations and develop a sense of wonder . Instead of activating their imagination, children 1 are overstimulated by all that extensive screen time. Creative agency ACHTUNG! mcgarrybowen developed ‘Snelweg Sprookjes’ (translated: Road Tales) for Volkswagen Netherlands. An app with location based interactive audiobooks that transform ordinary road objects into magical characters of a story. The main goal of the app is to make children curious about looking outside again as they ride in the car - but also to give parents a good alternative for the use of screens. In the Netherlands Volkswagen is one of the most driven family cars. Thousands of children are spending time on the back seats of cars on a daily basis. Most of this time is filled with a digital screen. With 'Road Tales', Volkswagen wants to bring imagination back to where it has always belonged: the back seat. Mervyn ten Dam - executive creative director ACHTUNG! mcgarrybowen Amsterdam: “With the app we stimulate the imagination of kids and create a fun and interactive experience for the whole family. Through a custom story-engine, the app builds stories in real-time around ordinary highway objects. For example, a story turns a tunnel into a rocket launcher. With this app we want to give children the ability to trigger their creative thinking skills, which are essential to self-discovery.” |
媒体类别 | 案例研究 |
长度 | |
Production | Round Trip and Since ‘88 |
Development app | Robot Kittens |
Sound | Big Orange |
Illustrations | Mario Niveo |
Manager Marketing Communication | Berno Schokker |
Team Manager Marketing Communication | Eric Bun |
Brand Communication Manager | Laura Derks |
执行创意总监 | Mervyn ten Dam |
执行创意总监 | Daniel Sytsma |
Creative Director | Samyr Souen |
Creative Director | Kika Douglas |
Creative | Wilmar Versprille |
Creative | Matthijs Groos |
Creative | Lieve Eek |
Account Manager | Dirk Jan de Krom |
Strategy Director | Boris Nihom |
Strategy | Gerben Van der Zwaard |
Head of Production | Sam van der Zanden |
Content Producer | Souraya El-Far |
Digital Producer | Kim Do |
Designer | Joost Huver |
Designer | Jack McAuliffe |
Design Director | Roy van Dijk |
UX design | Falco Negenman |
Illustrator | Mario Niveo |
制作公司 | Since ‘88 |
Production Company | Round Trip |
Production Company | Robot Kittens |
Sound Design | Big Orange |
Writer | Joke van Leeuwen |
Writer | Daan Remmerts de Vries |
Writer | Babette van Veen |
Writer | Herman van Veen |
Writer | Wilmar Versprille |
Writer | Matthijs Groos |
7. Diesel / Enjoy Before Returning
标题 | Enjoy Before Returning |
广告公司 | Publicis Italy |
广告战役 | Enjoy Before Returning |
广告主 | Diesel |
品牌 | Diesel |
Posted | 4月 2020 |
行业领域 | 服装、时装和鞋类 |
媒体类别 | 案例研究 |
长度 | |
创意总监 | Thiago Cruz |
创意总监 | Mihnea Gheorghiu |
美术指导 | Andrea Sarcullo |
文案 | Sébastien Rouvière |
首席创意官 | Bruno Bertelli |
首席创意官 | Cristiana Boccassini |
摄影师 | Angelo Pennetta |
创意总监 | Costanza Rossi |
客户经理 | Ilaria Castiglioni |
客户经理 | Filippo D’Andrea |
客户经理 | Mirko de Martini |
Senior Strategic Planner | Monica Radulescu |
Social Media Manager | Doina Tatu |
广告公司制片 | Erica Lora-Lamia |
Art Buyer | Caterina Collesano |
Art Buyer | Marcella Garutti |
标题 | SIDE:BIZ |
广告公司 | Publicis Italy |
广告战役 | BE A FOLLOWER |
广告主 | Diesel |
品牌 | Diesel |
首次发布日期 | 2019 / 2 |
行业领域 | 服装、时装和鞋类 |
哲学 | IS DIESEL UNLEASHING SOCIAL MEDIA’S REAL INFLUENCERS? With an ironic flip, Diesel empowers the internet’s followers and fans with SIDE:BIZ As an extension of its new Spring 2019 campaign, BE A FOLLOWER, Diesel is now empowering social media’s followers with the benefits and rewards one might expect to be exclusive to influencers. And how exactly is Diesel doing this? With a smart new platform called SIDE:BIZ. SIDE:BIZ is an innovative approach to e-commerce that allows for any Diesel follower to open their very own Diesel digital shop. Under the program, anyone can become a Diesel Ambassador and earn rewards. SIDE:BIZ is Diesel’s way of celebrating the followers, putting them first, and unleashing their full social media potential by equipping them with the tools needed to live successfully on their own terms. It’s simple: no pressure, no contracts, no proof of influence needed. To start a SIDE:BIZ, you just need to go to diesel.com/baf/sidebiz; sign up; receive a unique e-commerce link; and then share it, post it, text it and email it to everyone you know. Every time someone shops through your unique link, you earn rewards. Depending on where you live, these rewards vary from discounts and free products, to one-of-a-kind experiences. SIDE:BIZ will be available in Europe from February 15, in North America from February 18, in Japan from February 22, and it will be launching in China in March. With SIDE:BIZ, and the entire Spring/Summer ‘19 campaign, Diesel doesn’t just aim to show the world that life is easier as a follower. It also lauds the fact that followers are the social users that matter the most. |
媒体类别 | 互动 |
市场 | 美国, 中国, 日本 |
CEO Publicis Italia & Global CCO Publicis WW | Bruno Bertelli |
CCO | Cristiana Boccassini |
创意总监 | Thiago Cruz |
Creative Director | Mihnea Gheorghiu |
Creative Supervisor | Costanza Rossi |
Digital Creative Director | Sandra Bold |
Creative Director and Head of Social Media | Marco Viganò |
联合创意总监 | Vinicius Dalvi |
联合创意总监 | Eddy Guimaraes |
文案 | James Andrews |
美术指导 | Cecilia Moro |
美术指导 | Alice Teruzzi |
文案 | Francesca Ferracini |
美术指导 | Alex Eftimie |
文案 | Anton M. Kuerschner |
Client Service Director | Eleni Charakleia |
Digital Account Director | Ilaria Castiglioni |
Account Director | Filippo D’Andrea |
战略企划 | Monica Radulescu |
Head of Social Client Services & Strategy | Stefano Perazzo |
Social Media Manager | Doina Tatu |
Social Media Manager | Filippo Festuccia |
Creative development & photography | Toilet Paper |
制作公司 | Collateral - The Storytellers |
后期制作 | Martin&Rainone |
Stylist | Marc Goehring |
10. Diesel / Ha(u)te Couture
标题 | Ha(u)te Couture |
广告公司 | Publicis Italy |
广告战役 | Ha̶u̶te Couture FW18 |
广告主 | Diesel |
品牌 | Diesel |
首次发布日期 | 2018 / 9 |
行业领域 | 服装、时装和鞋类 |
剧情简介 | This film much more than a fashion film. It’s something that could create a lasting cultural impact by literally spinning the language of abusers into words that can empower. Obviously, ‘I Wanna be Loved by You’ is a tongue-in-cheek, ironic take on the central premise of the campaign - It’s not about being loved, it’s about turning hate against the perpetrators. What we loved about the Calypso style was that it celebrated - to an extreme - the liberation of acceptance. |
媒体类别 | 社交媒体 |
长度 | |
制作公司 | Stink Films |
着色 | The Mill New York |
后期制作 | MPC LDN |
Global Chief Creative Officer | Bruno Bertelli |
Chief Executive Officer (CEO) | Bruno Bertelli |
首席创意官 | Cristiana Boccassini |
创意总监 | Thiago Cruz |
创意总监 | Mihnea Gheorghiu |
联合创意总监 | Simone Di Laus |
文案 | James Andrews |
美术指导 | Alex Eftimie |
文案 | Anton Michael Kuerschner |
Head Of Planning | Bela Ziemann |
战略企划 | Monica Radulescu |
Head of Production | Francesca Zazzera |
制片 | Marijana Vukomanovic |
Art Buyer | Caterina Collesano |
Designer | Gianluca Chinnici |
Client Services Director | Eleni Charakleia |
Client Services Director | Barbara Pusca |
客户主管 | Filippo D’Andrea |
Head of Social Media | Stefano Perazzo |
Social Media Manager | Doina Tatu |
导演 | Jovan Todorovic |
执行制片 | Blake Powell |
制作公司制片 | Natalie Jacobson |
摄影指导 | Christophe Collette |
摄影师 | Vitali Gelwich |
剪辑师 | Milena Petrovic |
Colorist | Mikey Rossiter |
后期制作 | Ryan Hancocks |
音乐 | Sizzer |
Music Supervision | Michael Bertoldini |
11. Volvo / Volvo – Lifesaver
标题 | Volvo – Lifesaver |
Brief | We decided to train and equip Volvo drivers with AED’s, connecting their Volvos to the national call system for resuscitation.Volvo drivers are registered as civilian first responders. Emergency calls are automatically sent to the car via Volvo On Call. The driver can navigate directly to the victim. With a modest budget and a target of 25, an astonishing 200 enlisted in the first two weeks. The project exceeded expectations by nearly a thousand percent, making national and international headlines. |
广告公司 | Ogilvy Social.Lab Netherlands |
广告战役 | Volvo – Lifesaver |
广告主 | Volvo |
品牌 | Volvo |
首次发布日期 | 2019 / 11 |
行业领域 | 轿车 |
剧情简介 | With a cardiac arrest the first six minutes are crucial. But on average ambulances take nine minutes. The concept: equip Volvos with an AED, train drivers on resuscitation and contribute to a better spread of AEDs and thus chances of survival. |
媒体类别 | Digital Installation |
长度 | |
制作公司 | Smarthouse Films |
执行创意总监 | Tolga Buyukdoganay |
执行创意总监 | Michael Jansen |
创意团队 | Rens Quirijnen |
创意团队 | Stephan Gonnissen |
创意总监 | Gijs Sluijters |
创意总监 | Joris Tol |
Design Lead | Paul Duijser |
12. Diesel / Return Policy
标题 | Return Policy |
广告公司 | Publicis Italy |
广告战役 | Return Policy |
广告主 | Diesel |
品牌 | Diesel |
Posted | 4月 2020 |
行业领域 | 服装、时装和鞋类 |
媒体类别 | 其他 |
长度 | |
首席创意官 | Bruno Bertelli |
首席创意官 | Cristiana Boccassini |
创意总监 | Mihnea Gheorghiu |
创意总监 | Thiago Cruz |
美术指导 | Andrea Sarcullo |
文案 | Sébastien Rouvière |
制作公司 | Smuggler |
制作公司制片 | Fergus Brown |
制作公司制片 | Chris Barrett |
制作公司制片 | Javier Alejandro |
导演 | Similar But Different |
摄影指导 | Kanamé Onoyama |
客户经理 | Ilaria Castiglioni |
客户经理 | Filippo DAndrea |
客户经理 | Mirko de Martini |
Senior Strategic Planner | Monica Radulescu |
Social Media Manager | Doina Tatu |
广告公司制片 | Erica Lora–Lamia |
Art Buyer | Caterina Collesano |
Art Buyer | Marcella Garutti |
创意总监 | Costanza Rossi |
13. Diesel / Influencers spend of lot of time doing laundry
14. Volvo XC60 / The Parents
标题 | The Parents |
广告公司 | Forsman & Bodenfors Göteborg |
广告战役 | The Parents |
广告主 | Volvo |
品牌 | Volvo XC60 |
首次发布日期 | 2020 / 9 |
行业领域 | 四轮驱动,SUV(运动型多功能车) |
媒体类别 | Web Film |
长度 | |
制作公司 | New Land |
美术指导 | Karl Risenfors |
美术指导 | Sophia Lindholm |
美术指导 | Leo Dal |
文案 | Hampus Elfström |
文案 | Nicholas Düfke |
客户主管 | Magnus Wretblad |
客户主管 | Katarina Klofsten |
广告公司制片 | Lena Sellman |
PR Strategist | Bjarne Darwall |
Planner | Daniel Sjöstrand |
设计师 | Martin Joelsson |
Web Design | F and B Inhouse |
导演 | Niclas Larsson |
制片 | Joel Rostmark |
制片 | Adam Holmström |
摄影指导 | Linus Sandgren |
执行制片 | Sophie Tamm Christensen |
剪辑师 | Carla Luffe |
Grading/Online | Chimney Pot |
摄影师 | Patrik Johäll |
音乐作曲家 | Pete Seeger |
15. Etat Libre d'Orange / Bad Reviews
标题 | Bad Reviews |
广告公司 | Kworq |
广告战役 | Bad Reviews |
广告主 | Etat Libre d'Orange |
品牌 | Etat Libre d'Orange |
Posted | 12月 2020 |
行业领域 | 香水 |
剧情简介 | État Libre d’Orange is known for its head-turning scent names, including “I Am Trash” and “Fat Electrician.” Spirited and sometimes ironic, État’s fragrances required smart ads that also spoke to its refined luxury.So we got risky, not risqué: we borrowed from online reviews where the buyer wasn’t entirely thrilled. Instead of near-naked models, we let the customers tell the stories for us. In fact, these bad reviews were so good that they temporarily put our copywriter out of a job.With this idea, we targeted an audience seeking a fragrance that broke from the mold of other luxury brands. Scents are arguably the closest you can get to a physical signature, becoming a part of your body’s chemistry in a way that other fashion pieces and accessories cannot. By taking this approach, we emphasized État’s rebellious and satiric identity that sets it apart from the rest of the industry. |
问题 | Etat Libre d’Orange presents a collection of fragrances — all aspirational, all essential. With an emphasis on originality, audacity, authenticity and freedom of expression, Etat Libre d’Orange proposes surprising olfactory compositions, without any limitations in terms of creativity, raw materials, or expense. |
媒体类别 | 互动 |
Founder | Guy Peires |
创意总监 | Guy Peires |
Founder | Chris Sullivan |
技术总监 | Chris Sullivan |
美术指导 | Gabriela-della Corna |
设计师 | Alina Redkina |
设计师 | Christa MacDonald |
设计师 | Melanie Berra |
Marketing Strategist | Cam Horan |
广告公司制片 | Joaquin Cavazos |
广告经理 | Vicken Arslanian |
广告经理 | Inbal Shaked |
广告经理 | Etienne de Swardt |
广告经理 | Faust de Swardt |
项目经理 | Christina Viehoefer |
项目经理 | Eurah Lee |
文案 | Isaac Park |