THE PANDEMIC WAS PRESENT BUT FAILED TO OVERWHELM ADVERTISING IN THIS SECTOR, WHICH ALSO HAD OTHER ISSUES TO ADDRESS.
It was inevitable that this category would reflect the COVID-19 era, and indeed the most awarded ad was “Amanda”, from Dove and Ogilvy, part of the “Courage Is Beautiful” series depicting front line medical workers. Dove was also the most awarded brand in this category – and it had other concerns too, notably about unrealistic images of women, which resulted in its #showme campaign to put real women in the picture. Familiar but worthwhile territory for the brand.
Once more we’ve seen a surge in purpose-driven advertising here, from Ory Laboratory’s “Avatar Café”, by ADK Creative One in Tokyo, which used remote controlled robots to allow severely disabled people to work at a special café, and feminine hygiene brand Saforelle’s “Missing Page”, from Serviceplan, which returned accurate images of female genitals to school textbooks. It was left to Lynx to take a lighter approach to messaging, with an ad celebrating “wingmen” – the best friend who is always by a guy’s side (think Robin to Batman). But it’s a celebration of friendship rather than masculinity, so that in itself is a progression for the brand.
The most awarded agency was actually outside of the top five: Impact BBDO in Dubai, because three of its witty Novomed print ads are in the top ten. Good to see print still making its mark.
It was inevitable that this category would reflect the COVID-19 era, and indeed the most awarded ad was “Amanda”, from Dove and Ogilvy, part of the “Courage Is Beautiful” series depicting front line medical workers. Dove was also the most awarded brand in this category – and it had other concerns too, notably about unrealistic images of women, which resulted in its #showme campaign to put real women in the picture. Familiar but worthwhile territory for the brand.
Once more we’ve seen a surge in purpose-driven advertising here, from Ory Laboratory’s “Avatar Café”, by ADK Creative One in Tokyo, which used remote controlled robots to allow severely disabled people to work at a special café, and feminine hygiene brand Saforelle’s “Missing Page”, from Serviceplan, which returned accurate images of female genitals to school textbooks. It was left to Lynx to take a lighter approach to messaging, with an ad celebrating “wingmen” – the best friend who is always by a guy’s side (think Robin to Batman). But it’s a celebration of friendship rather than masculinity, so that in itself is a progression for the brand.
The most awarded agency was actually outside of the top five: Impact BBDO in Dubai, because three of its witty Novomed print ads are in the top ten. Good to see print still making its mark.
Most awarded
campaigns, brands &
agencies in
Health & Beauty in
2020
Most awarded
campaigns, brands and
agencies in
Health & Beauty in
2020
CAMPAIGNS
BRANDS
Brand | ||
---|---|---|
1 | Dove | |
2 | Novomed | |
3 | Ease Labs | |
4 | Head & Shoulders | |
5 | Shiseido |
AGENCIES
Name | ||
---|---|---|
1 | Impact BBDO, Dubai | |
2 | Saatchi & Saatchi, Dubai | |
3 | McCann Health Brazil, São Paulo | |
4 | ADK Creative One, Tokyo | |
5 | O, Toronto |
Watch
标题 | Courage Amanda |
广告公司 | Ogilvy UK |
广告战役 | Courage is Beautiful |
广告主 | Unilever |
品牌 | Dove |
首次发布日期 | 2020 / 4 |
行业领域 | 卫生及个人护理产品 |
剧情简介 | In times of crisis we are reminded that beauty isn’t about how you look, but what you do. And during the pandemic, frontline workers demonstrated the epitome of this beauty, showing us there is no greater expression of yourself than the qualities of selflessness, compassion and bravery. After long hours and double shifts, they looked exhausted, with deep, skin-blistering marks across their faces left from protective masks. Despite their appearance, they were resilient, continuing to fight day after day to save lives. We saw beauty in this courage. Our idea was simply to honour them by featuring their powerfully beautiful portraits in DOOH, thanking them directly for their selfless care while showing the world that Courage is Beautiful. |
媒体类别 | 平面 |
Executive Vice President | Alessandro Manfredi |
Marketing Manager | Divya Singh |
Brand Manager | Laura Douglas |
Global Executive Creative Director | Daniel Fischer |
首席创意官 | Brian Murray |
集团创意总监 | Christian Horsfall |
美术指导 | Christian Horsfall |
联合创意总监 | Pam Danowski |
文案 | Pam Danowski |
Chief Strategy Officer | Tom Kenny |
Managing Director | Aviva Groll |
客户总监 | Beth Blatch |
Account Coordinator | Rebecca Tummers |
广告公司制片 | Marie-Pierre Toure |
广告公司制片 | Eric Thompson |
剪辑师 | Eric Thompson |
Print Producer | David Scanlon |
Head of Project Management | Mike Kerry |
剪辑师 | Chris Murphy |
执行制片 | Kristina Anzlinger |
Assistant | Nathan Olszewicki |
音乐作曲家 | Kevin Sargent |
创意总监 | Juliana Paracencio |
2. Ory Laboratory / Avatar Robot Cafe
标题 | Avatar Robot Cafe |
广告公司 | ADK Creative One |
广告战役 | Avatar Robot Cafe |
广告主 | Ory Laboratory |
品牌 | Ory Laboratory |
首次发布日期 | 2019 |
行业领域 | 医疗设备 |
哲学 | At Avatar Robot Cafe, people with disabilities remotely controlled robot avatars - such as Orihime, which is controlled by via eye tracker - to wait on tables. The cafe opened for three weeks in Tokyo to create more employment opportunities for people with disabilities. The project was covered in more than 500 articles, with media exposure worth 7.6m USD. Most importantly, more than five handicapped people who participated were successfully hired by a company after the project. |
媒体类别 | Product Design/Development |
长度 | |
Agency | ADK Marketing Solutions |
PR Agency | Sunny Side Up |
Event production | ZYX INTERNATIONAL |
创意总监 | Yoshihiro KOZUKA |
创意总监 | Kenshiro SADAKA |
Creative technologist | Yoshihiro KOZUKA |
Creative technologist | Kenshiro SADAKA |
PR Director | Satoshi INNAMI |
PR manager | Masami SHIMAMURA |
PR Planner | Masaya UCHIDA |
文案 | Satoshi INNAMI |
美术指导 | Taku KASAHARA |
设计师 | Kei TAKIMOTO |
Creative Producer | Mutsumi HAYASHIDA |
摄影指导 | Sho SATO |
制作经理 | Kenta TERADA |
制作经理 | Sakura Egami |
导演 | Sho MATSUKI |
剪辑师 | Sho TOMINAGA |
Event producer | Chihiro Kato |
Product Manager | Miho FUJIOKA |
Product Manager | Shodai KAKO |
客户主管 | Akihiko KIYOMIYA |
客户主管 | Atsushi HAYASHI |
Event Planner | KOSUKE AONO |
3. Dove / Project #showus
标题 | Project #showus |
广告公司 | Publicis Sapient |
广告战役 | Project #showus |
广告主 | Unilever |
品牌 | Dove |
首次发布日期 | 2019 |
行业领域 | 卫生及个人护理产品 |
剧情简介 | Research on global equality movements and media representation informed us that 70% of women — inclusive of all female-identifying and non-binary individuals — still don’t see themselves represented in the media & advertising. Many images continue to impose unrealistic beauty standards that present a narrow view of who women are, what they should look like, and what they can achieve.To create systemic change, Dove has taken action with Getty Images and Girlgaze to create Project #ShowUs, the world’s largest stock photo library created by women to shatter beauty stereotypes by showing women as they are, not as others believe they should be.Project #ShowUs features 5,000+ photographs of women from 39 countries. 100% created and photographed by women, with zero digital distortion. By showing more women as they truly are, we can improve the self-esteem and quality of life for all women everywhere, and they can show the world what’s possible. |
媒体类别 | 互动 |
长度 | |
Entrant Company | Publicis Sapient |
Initiative Partner | Getty Images |
Initiative Partner/ Production | Girlgaze |
Media Strategy and Placement | Mindshare |
PR | Golin |
PR | Edelman |
Film Production | Furlined |
Editing | Cosmo Street |
Creative Lead | John Antoniello |
Account Lead | Jennifer Berry |
Planning Lead | Rachel Bradshaw |
Associate Program Director | Ali Cole |
Executive Producer | Mary Ellen Verrusio |
Associate Creative Director | Carlos Noel Perez |
Associate Creative Director | Kait Strovnik |
Associate Creative Director | Michael Emerson |
Associate Creative Director | Bonnie Bottorf |
Senior Art Director | Kim Davies |
Senior Art Director | Taiyo Kitagawa |
Senior Art Director | Matt Bogard |
Senior Art Director | Aidan McDermott |
Senior Copywriter | Otavio Barbon |
Copywriter | Tori Probert |
Senior Designer | AJ Halbrook |
Senior Producer | Mike Diaz |
Senior Producer | Amy Houston |
Print Producer | Christine Cafiero |
Social Director | Jessica Manfredi |
Sr Social Content Analyst | Emily Shea |
Planner | Tess Cotter |
Client Partner, Account | Hetal Patel |
Senior Account Director | Anne Flavin |
Senior Project Producer | Fiona Hobson |
Senior Project Producer | Rebecca Jean Louis |
Senior Project Manager | Mikaela Curtin |
4. Saforelle / THE MISSING PAGE
标题 | THE MISSING PAGE |
Brief | In France, even today, no single biology and science schoolbook accurately represents female genitals, which is strangely not the case when it comes to the male body. In order to put this right, the agency created The Missing Page. Unlike in French schoolbooks, The Missing Page fully represents women's anatomy, including the clitoris and its role in sexuality and a detailed external view of the vulva. Thanks to its adhesive system, teenagers can now easily paste The Missing Page into their schoolbooks in order to be properly educated. |
广告公司 | Serviceplan Group France |
广告战役 | The Missing Page |
广告主 | Laboratoires IPRAD |
品牌 | Saforelle |
Posted | 11月 2019 |
行业领域 | 妇女保健 |
剧情简介 | Creative idea : Still in France, in 2019, contrary to men's sex anatomy, no single Biology & Science schoolbook totally represent female genitals. The clitoris is either absent or incorrectly or partially illustrated. In addition, most manuals do not provide an external view of the female genitalia. The clitoris is either absent or incorrectly or partially illustrated. In addition, most manuals do not provide an external view of the female genitalia. A question then arises: how to take care of your privacy if you don't know it? Since none Science & Biology schoolbook completely represents the female anatomy, the agency created The Missing Page. Unlike all French schoolbooks, The Missing Page fully represents female sex anatomy including clitoris’ complete anatomy, it’s role in sexuality and the vulva’s detailed external view. Thanks to it’s adhesive system, teenagers can paste The Missing Page in their schoolbooks in order to learn correct women anatomy. Execution : The Missing Page was launched both offline and online: - Offline, The Missing Page has been published in French youth press, and distributed through a street marketing campaign to teenagers in major French cities. - Online, with a digital film in which mothers and their 16-year-old daughters participated in an educational experience: confronted with a female gender pattern without any legend and to be completed, the majority of them hesitate, make mistakes while also sharing moments of complicity. This online video was shortcut and broadcast through a preroll campaign that directed to the website where teenagers, teachers or any person who wish to get The Missing Page could order or download it. Thousands of "Missing Page" which could be stuck over any incorrect page in science manuals were finally printed and distributed. |
问题 | Saforelle, a brand of products and treatments for women's intimate and personal hygiene, asked the agency to help them increasing their reputation, and the brief was simple: please create an activation for International Women's Day which is happening on 8th March 2019. Then, our objective was to transform a simple activation into a global campaign that could be a game changer for our client. Therefore we convinced them to go on a committed campaign that could help French society become more inclusive and equal. Following this advice, Saforelle has decided to reduce inequalities in sex education. |
媒体类别 | 案例研究 |
首席创意官 | Fabien Teichner |
首席创意官 | Dimitri Guerassimov |
创意总监 | Mathieu Membré |
文案 | Chloe Rosiaux |
美术指导 | Véronique Erb |
美术指导 | Tram-Anh Nguyen |
美术指导 | Astrid Pinon |
广告经理 | Aurélie Defrance |
广告经理 | Eric Panijel |
广告经理 | Céline Samama |
广告经理 | Nadège Alves |
广告经理 | Quentin Dagusé |
广告经理 | Claire Lapeyronie |
广告经理 | Pétronille Lombart |
客户经理 | Benjamin Chevrier |
客户经理 | Helène Jamin |
客户经理 | Marine Moreau |
导演 | Sarah Hafner |
制作公司 | Muscle |
Agency TV Producer | Frank Willocq |
5. Lynx / Wingmen: A Roll Call of Icons
标题 | Wingmen: A Roll Call of Icons |
广告公司 | Global Media and Entertainment |
广告战役 | Wingmen: A Roll Call of Icons |
广告主 | Unilever |
品牌 | Lynx |
Posted | 11月 2020 |
行业领域 | 体香剂 |
剧情简介 | Every man needs a wingman - even superheroes, footballers, and stars of stage, screen...and politics.We celebrated some of the most iconic wingmen in history. Producing a skillfully written, fast-moving, tongue-twister of an ad. Filled with so many pop culture pairings and references, that audiences would still find rewarding after numerous listens. |
哲学 | This commercial launched the celebrations of 25 years since Lynx Africa (body spray) was released in the UK. Throughout those 25 years, Lynx Africa has been by the side of men serving as a 'wingman'. So we decided to celebrate with a roll call of iconic wingmen; because every man needs a wingman. |
媒体类别 | 广播 |
长度 | |
创意总监 | Jo McCrostie |
文案 | Jonathan Wood |
Sound Engineer | Shelly Smith |
6. The Learning Corp / One Word film
标题 | One Word film |
广告公司 | Area 23, An IPG Health Company |
广告战役 | ONE WORD |
广告主 | The learning corp |
品牌 | The Learning Corp |
首次发布日期 | 2019 / 4 |
产品 | Constant Therapy |
行业领域 | 医院、医疗机构和医疗服务 |
剧情简介 | The Constant Therapy app is administered by neurologists and speech pathologists as an FDA-cleared treatment for aphasia (loss of speech) due to brain injury. In the film, we follow the intense struggle of a single word, “baby,” fighting to get out of a decaying landscape that represents the damaged brain. The baby has to contend with enemies that reflect the pathology of aphasia. Those obstacles include other words that start with B (letter block, bear, bee, etc.); memories you might associate with the word “baby” (baby food, baby monitor); and convenient synonyms for the word “baby” (honey, sweetheart, cupcake, sugar pie). Ultimately, the baby is able to get out. We end the film showing a woman with a brain injury successfully saying the word, baby, thanks to her Constant Therapy app. Every scene is based on the real experiences of Mary, a brain injury patient, and Emily Dubas, her speech language pathologist. |
媒体类别 | 电视 |
长度 | |
Chief Creative Officer | Tim Hawkey |
Worldwide Creative Partner | Fred Levron |
Executive Creative Director | Elliot Langerman |
Group Creative Director | David Adler, SVP |
Group Creative Director | Jason Graff, EVP |
Associate Creative Director | Larry Kirschner, VP |
Associate Creative Director | Guy Mannshardt, VP |
Art Supervisor | Christian Louzado |
Executive Producer | Bernardo Romero |
Senior Broadcast Producer | Anna Lopez, VP |
Senior Producer | Anthony Ramirez |
Animator | Effraim Klein, Editor |
Editor | Scott Ham |
Editor | Courtney Collins |
Graphics | David Tiernan |
Creative Director | Rafael Vallperde |
Animator | Kawe se Sa |
Director of Production | Stefani Pimenta |
Producer | Krystal Leasure |
Co-Founder/Audio Director | Lucas Sfair |
Co-Founder/Creative Director | Felipe Resende |
Composer/Producer | Edu Karas |
Composer/Mix/Master | Levi Mynssen |
Sound Design | Pedro Osinski |
Sound Design | Gui Moreno |
7. Kruger Products / Unapologetically Human
标题 | Unapologetically Human |
广告公司 | Broken Heart Love Affair |
广告战役 | Unapologetically Human |
广告主 | Kruger Inc. |
品牌 | Kruger Products |
首次发布日期 | 2020 / 8 |
行业领域 | 卫生纸,纸巾 |
剧情简介 | Faced with our collective vulnerability we have also come to terms with our own softness as humans, which can be scary, but also beautiful. It’s these vulnerabilities that Kruger products services every day as a household paper products manufacturer.Unapologetically Human. We are all connected by our blood, tears, messes and yes, our need to go the bathroom and Kruger products are there for you to bring strength and softness.For the first time in category history, the brand chose to celebrate the messiness that the products are actually designed for, without pulling any punches and doing so with big, bold, raw music. |
媒体类别 | 电视 |
长度 | |
Soundtrack | Human |
剪辑公司 | Married to Giants |
创意团队 | Denise Rossetto |
创意团队 | Carlos Moreno |
创意团队 | Todd Mackie |
Strategist | Jay Chaney |
广告公司制片 | Erica Metcalfe |
制作公司 | Scouts Honor |
导演 | Mark Zibert |
摄影指导 | Mark Zibert |
摄影指导 | Eric Kaskens |
执行制片 | Rita Popielak |
执行制片 | Simon Dragland |
剪辑师 | Graham Chisholm |
8. Etat Libre d'Orange / Bad Reviews
标题 | Bad Reviews |
广告公司 | Kworq |
广告战役 | Bad Reviews |
广告主 | Etat Libre d'Orange |
品牌 | Etat Libre d'Orange |
Posted | 12月 2020 |
行业领域 | 香水 |
剧情简介 | État Libre d’Orange is known for its head-turning scent names, including “I Am Trash” and “Fat Electrician.” Spirited and sometimes ironic, État’s fragrances required smart ads that also spoke to its refined luxury.So we got risky, not risqué: we borrowed from online reviews where the buyer wasn’t entirely thrilled. Instead of near-naked models, we let the customers tell the stories for us. In fact, these bad reviews were so good that they temporarily put our copywriter out of a job.With this idea, we targeted an audience seeking a fragrance that broke from the mold of other luxury brands. Scents are arguably the closest you can get to a physical signature, becoming a part of your body’s chemistry in a way that other fashion pieces and accessories cannot. By taking this approach, we emphasized État’s rebellious and satiric identity that sets it apart from the rest of the industry. |
问题 | Etat Libre d’Orange presents a collection of fragrances — all aspirational, all essential. With an emphasis on originality, audacity, authenticity and freedom of expression, Etat Libre d’Orange proposes surprising olfactory compositions, without any limitations in terms of creativity, raw materials, or expense. |
媒体类别 | 互动 |
Founder | Guy Peires |
创意总监 | Guy Peires |
Founder | Chris Sullivan |
技术总监 | Chris Sullivan |
美术指导 | Gabriela-della Corna |
设计师 | Alina Redkina |
设计师 | Christa MacDonald |
设计师 | Melanie Berra |
Marketing Strategist | Cam Horan |
广告公司制片 | Joaquin Cavazos |
广告经理 | Vicken Arslanian |
广告经理 | Inbal Shaked |
广告经理 | Etienne de Swardt |
广告经理 | Faust de Swardt |
项目经理 | Christina Viehoefer |
项目经理 | Eurah Lee |
文案 | Isaac Park |
9. Lux / The Soap with a Lump
标题 | The Soap with a Lump |
广告公司 | Wunderman Thompson South Asia |
广告战役 | The Soap with a Lump |
广告主 | Unilever |
品牌 | Lux |
首次发布日期 | 2019 / 12 |
行业领域 | 保健与医药产品 |
媒体类别 | 案例研究 |
长度 | |
首席创意官 | Senthil Kumar |
Regional Executive Creative Director | Tista Sen |
Senior Creative Director | Ashish Pathak |
Senior Creative Director | Simone Patrick |
Senior Creative Director | Chandni Kapur |
美术指导 | Ashish Pathak |
美术指导 | Aindrila Chatterjee |
文案 | Vrinda Varnekar |
文案 | Srikanth Kanchinadham |
客户主管 | Sana Patel |
Managing Partner | Kishore Tadepalli |
标题 | Novomed Dog |
广告公司 | Impact BBDO |
广告战役 | Hidden Allergy |
广告主 | Novomed |
品牌 | Novomed |
首次发布日期 | 2020 / 2 |
产品 | Anti-allergy clinic |
行业领域 | 保健与医药产品 |
剧情简介 | In the region, allergies are most commonly linked to dust and pets. So we took those two elements to show people how, just like the causes of their allergies, what appears to be one thing may actually be something else entirely. We created a series of visuals featuring pets blending into their surroundings to show people how the causes of allergies aren’t that easy to spot and to encourage them to come to Novomed Centers so they could find out what they’re really allergic to. |
媒体类别 | 平面 |
首席创意官 | Paul Shearer |
美术指导 | Marcio Dotti |
文案 | Simone Milani |
联合创意总监 | Ben Griffiths |
创意总监 | Logan Allanson |
文案 | Jason Velasquez Burayag |
设计师 | Jithesh Narayanan |
执行创意总监 | Ali Rez |
制片 | Rebecca Ooi |
客户经理 | Rubina Ahmed |
摄影师 | Edmund Leong |
Retoucher | Justin Chan |
Retoucher | Lim Hui Jing |
标题 | Novomed Grey Cat |
广告公司 | Impact BBDO |
广告战役 | Hidden Allergy |
广告主 | Novomed |
品牌 | Novomed |
首次发布日期 | 2020 / 2 |
产品 | Anti-allergy clinic |
行业领域 | 保健与医药产品 |
剧情简介 | In the region, allergies are most commonly linked to dust and pets. So we took those two elements to show people how, just like the causes of their allergies, what appears to be one thing may actually be something else entirely. We created a series of visuals featuring pets blending into their surroundings to show people how the causes of allergies aren’t that easy to spot and to encourage them to come to Novomed Centers so they could find out what they’re really allergic to. |
媒体类别 | 平面 |
首席创意官 | Paul Shearer |
美术指导 | Marcio Dotti |
文案 | Simone Milani |
联合创意总监 | Ben Griffiths |
创意总监 | Logan Allanson |
文案 | Jason Velasquez Burayag |
设计师 | Jithesh Narayanan |
执行创意总监 | Ali Rez |
制片 | Rebecca Ooi |
客户经理 | Rubina Ahmed |
摄影师 | Edmund Leong |
Retoucher | Justin Chan |
Retoucher | Lim Hui Jing |
标题 | Novomed White Cat |
广告公司 | Impact BBDO |
广告战役 | Hidden Allergy |
广告主 | Novomed |
品牌 | Novomed |
首次发布日期 | 2020 / 2 |
产品 | Anti-allergy clinic |
行业领域 | 保健与医药产品 |
剧情简介 | In the region, allergies are most commonly linked to dust and pets. So we took those two elements to show people how, just like the causes of their allergies, what appears to be one thing may actually be something else entirely. We created a series of visuals featuring pets blending into their surroundings to show people how the causes of allergies aren’t that easy to spot and to encourage them to come to Novomed Centers so they could find out what they’re really allergic to. |
媒体类别 | 平面 |
首席创意官 | Paul Shearer |
美术指导 | Marcio Dotti |
文案 | Simone Milani |
联合创意总监 | Ben Griffiths |
创意总监 | Logan Allanson |
文案 | Jason Velasquez Burayag |
设计师 | Jithesh Narayanan |
执行创意总监 | Ali Rez |
制片 | Rebecca Ooi |
客户经理 | Rubina Ahmed |
摄影师 | Edmund Leong |
Retoucher | Justin Chan |
Retoucher | Lim Hui Jing |
标题 | Smile strong 1 |
广告公司 | VML Dubai |
广告战役 | Smile strong |
广告主 | Colgate-Palmolive Company |
品牌 | Colgate |
Posted | 3月 2020 |
行业领域 | 口腔卫生 |
媒体类别 | 户外广告 |
Global CCO | Debbi Vandeven |
Global CCO | Fred Saldanha |
首席创意官 | Kalpesh Patankar |
美术指导 | Kalpesh Patankar |
美术指导 | Kapil Bhimekar |
文案 | Fernando Miranda |
摄影师 | Belle Verdiglione |
Managing Director | Rob Carter |
Brand Manager | Shilpa Nayak |
客户总监 | Eleanor Savouret |
Client Services Director | Nora Ferneine |
14. GILLETTE/P&G / FIRST SHAVE
标题 | FIRST SHAVE |
广告公司 | GREY NY + GREY Toronto |
广告战役 | FIRST SHAVE |
广告主 | Procter & Gamble |
品牌 | GILLETTE/P&G |
Posted | 4月 2020 |
行业领域 | 剃须和脱毛产品 |
媒体类别 | 其他 |
长度 | |
North America Brand Director | Pankaj Bhalla |
Marketing Dir | Maria Shibaeva-Escarraga |
Assoc Marketing Dir | Randell Smith |
客户总监 | Brian Weston |
客户总监 | Elizabeth Gilchrist |
客户总监 | Darlene Remlinger |
客户主管 | Kate Beaman |
制作公司 | Skin |
制作公司 | Skin & Bones Film Company |
导演 | Angie Bird |
执行制片 | Liane Thomas |
Line Producer | Michelle Woodward |
Director Of Photoraphy | Jackson Parrell |
Make-Up Artist | Samantha Pickles |
剪辑公司 | Rooster Editorial |
剪辑师 | Izzy Erlich |
Assistant Editor | Taylor McWade |
执行制片 | Melissa Kahn |
Telecine Company | The Vanity |
Colorist | Andrew Exworth |
执行制片 | Stephanie Pennington |
Audio Finishing | Cylinder Sound |
Audio Finishing | Dektor Film |
Sound Engineer | Josh Mancuso |
执行制片 | Brad Nelson |
音乐公司 | Asche |
音乐公司 | Asche & Spencer |
Picture Finishing | Mike Bishop Fort York VFX |
执行制片 | Sam Mclaren |
制作公司制片 | Sam Mclaren |
Flame Artist | Paul Binney |
15. MedMen / New Normal
标题 | New Normal |
广告公司 | Mekanism + MJZ |
广告战役 | New Normal |
广告主 | Medmen |
品牌 | MedMen |
Posted | 4月 2020 |
行业领域 | 保健与医药产品 |
媒体类别 | 其他 |
长度 | |
后期制作 | Final Cut |
后期制作 | Framestore LA |
首席创意官 | Tommy Means |
创意总监 | Matt Stafford |
Senior Copywriter | Thomas Kropp |
美术指导 | Jen Miller |
美术指导 | Mills Adams |
Senior Brand Manager | Josie Rosensteel |
Senior Project Manager | Anderson Meadows |
Associate Brand Strategy Director | Lexi Whelan |
Head of Production | Kati Haberstock |
Senior Producer | Annie Uzdavinis |
Senior Talent Manager | Kourtney Luster |
导演 | Spike Jonze |
文案 | Spike Jonze |
文案 | Jesse Williams |
President | David Zander |
Senior EP | Eriks Krumins |
制作公司制片 | Amanda Adelson |
制作公司制片 | Lauren Klein |
制作公司制片 | Emily Skinner |
DP | Bradford Young |